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Künstler: BOTTICELLI, Sandro
BOTTICELLI, Sandro Portrait of Giuliano de Medici Germany oil painting reproduction


BOTTICELLI, Sandro Portrait of Giuliano de Medici Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62944
BOTTICELLI, Sandro
Portrait of Giuliano de Medici
1475 Tempera on panel, 54 x 36 cm Accademia Carrara, Bergamo Three similar portraits of Giuliano still exist. In contrast to the version in Washington, the portraits that are now in Bergamo and Berlin were probably not created until after Giuliano's assassination during the Pazzi conspiracy in 1478, when copies would have been ordered by friends and relatives as commemorative portraits. Artist: BOTTICELLI, Sandro Painting Title: Portrait of Giuliano de' Medici , 1451-1500 Painting Style: Italian , , portrait
(new21/BOTTICELLI, Sandro-897732.jpg)

Künstler: GIOTTO di Bondone
GIOTTO di Bondone St Paul Germany oil painting reproduction


GIOTTO di Bondone St Paul Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62978
GIOTTO di Bondone
St Paul
1290s Fresco Upper Church, San Francesco, Assisi This roundel is located on the inside wall of the fa?ade above the Ascension of Christ. Artist: GIOTTO di Bondone Painting Title: St Paul , 1301-1350 Painting Style: Italian , , religious
(new21/GIOTTO di Bondone-956499.jpg)

Künstler: MEYTENS, Martin van
MEYTENS, Martin van Self-portrait Germany oil painting reproduction


MEYTENS, Martin van Self-portrait Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63071
MEYTENS, Martin van
Self-portrait
1740s Oil on canvas, 65 x 50,2 cm Museum of Fine Arts, Budapest Meytens's earliest self-portrait, a young painter's portrait with a turban, in the painters' gallery of Florences's Uffizi, was made during his Italian residence in 1727. This was followed in 1735 by a half-figure self-portrait, which can be found in two versions, in Sibiu's Muzeul Brukenthal, and in Ludwigsburg Gallery. The Budapest self-portrait belongs to a later period, and shows a slightly changed, somewhat more corpulent man. His face is still youthfully smooth, but already fattish, and he wears an Allonge-wig. His pose refers to his courtly position and special honours. A gold chain on his breast holds the medal he got in 1730 from Frederic, King of Sweden during his activity in Stockholm, and he ostentatiously shows with his right hand the medallion portrait of Empress Maria Theresia. Another half-figure portrait, now kept in the Viennese Gem?ldegalerie der Akademie der bildenden K?nste, as well as a painting in a Stockholm private collection, show the master some years older and of even more authority. Compared to these portraits and to the one engraved by Johann Gottfried Haid in 1756, our painting can probably be ascribed to the 1740s. Artist: MEYTENS, Martin van Painting Title: Self-portrait , 1701-1750 Painting Style: Austrian , , portrait
(new21/MEYTENS, Martin van-749338.jpg)

Künstler: GOSSAERT, Jan (Mabuse)
GOSSAERT, Jan (Mabuse) Portrait of Baudouin of Burgundy - Oil on panel Staatliche Museen Germany oil painting reproduction


GOSSAERT, Jan (Mabuse) Portrait of Baudouin of Burgundy - Oil on panel Staatliche Museen Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63093
GOSSAERT, Jan (Mabuse)
Portrait of Baudouin of Burgundy - Oil on panel Staatliche Museen
Berlin Mabuse painted many portraits. By their rigorous psychological analysis he is surely one of the most talented northern artists to have practised this genre. Usually, he would paint his sitters against a dark background. Artist: GOSSAERT, Jan (Mabuse) Painting Title: Portrait of Baudouin of Burgundy , 1501-1550 Painting Style: Flemish , , portrait
(new21/GOSSAERT, Jan (Mabuse)-894682.jpg)

Künstler: GOSSAERT, Jan (Mabuse)
GOSSAERT, Jan (Mabuse) Portrait of Christian II Germany oil painting reproduction


GOSSAERT, Jan (Mabuse) Portrait of Christian II Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63096
GOSSAERT, Jan (Mabuse)
Portrait of Christian II
King of Denmark c. 1523 Engraving, 267 x 215 mm Netherlandish Institute, Paris Artist: GOSSAERT, Jan (Mabuse) Painting Title: Portrait of Christian II, King of Denmark , 1501-1550 Painting Style: Flemish , , portrait
(new21/GOSSAERT, Jan (Mabuse)-637844.jpg)

Künstler: Giovanni Bellini
Giovanni Bellini Portrait of a Young Man Germany oil painting reproduction


Giovanni Bellini Portrait of a Young Man Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63527
Giovanni Bellini
Portrait of a Young Man
1500 Oil on wood, 31 x 26 cm Galleria degli Uffizi, Florence This work, along with the Portrait of a Young Man conserved in the Galleria Capitolina, is recorded in the Inventories of 1753 as a self portrait, and as such it continues to be regarded, even though this supposition lacks any scientific foundation. The portrait is highly distinctive, the face having a mellow, moulded quality accentuated by its halo of soft curls and the round clouds which fill the sky in the background.Artist:BELLINI, Giovanni Title: Portrait of a Young Man Painted in 1451-1500 , Italian - - painting : portrait
(new21/Giovanni Bellini-787697.jpg)

Künstler: Antonello da Messina
Antonello da Messina Portrait of a Man Germany oil painting reproduction


Antonello da Messina Portrait of a Man Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63537
Antonello da Messina
Portrait of a Man
1474 Oil on wood, 32 x 26 cm Staatliche Museen, Berlin The painting is one of the portraits which were famed for their realism. Due to his knowledge of Flemish pictures, the painter had made a decisive contribution to the spreading and perfection in Italy of what was at that time the new medium of oil painting, and normally depicted figures in three quarter life-size as statue-like half-length portraits in front of a barrier. As in this portrait, the face is particularly emphasized by the dark background and simple headgear, with the eyes directed straight at the observer.Artist:ANTONELLO da Messina Title: Portrait of a Man Painted in 1451-1500 , Italian - - painting : portrait
(new21/Antonello da Messina-232479.jpg)

Künstler: Albrecht Durer
Albrecht Durer Portrait of a Man Germany oil painting reproduction


Albrecht Durer Portrait of a Man Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63545
Albrecht Durer
Portrait of a Man
1504 Oil on panel, 43 x 29 cm Museum of Fine Arts, Budapest D?rer's paintings include altarpieces, religious pictures and some outstanding portraits. Although he began by working in the German late Gothic tradition, D?rer was to introduce the Renaissance to Germany with his pure compositions in which the sure touch of the draughtsman is always evident. With his workshop and followers he marked out the lines of development of the new style for later years. This small picture - a portrait of a youth, painted in brilliant, warm colours - is sometimes ascribed to D?rer's pupils (Hans S?ss von Kulmbach or Hans Baldung Grien). Some scholars believe to recognize in the sitter D?rer's brother Andreas; however the smooth features and simple attire hardly provide enough clues for identifying the sitter. However, a silverpoint drawing by D?rer in the Albertina Collection in Vienna shows the same model in a similar pose, clearly indicated in the inscription as Endres D?rer, the painter's younger brother
(new21/Albrecht Durer-543488.jpg)

Künstler: Frans Hals
Frans Hals Portrait of a Man Germany oil painting reproduction


Frans Hals Portrait of a Man Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63547
Frans Hals
Portrait of a Man
1634 Oil on canvas, 82,5 x 70 cm Museum of Fine Arts, Budapest The painting is dated at the bottom right part as "AETAT SVAE 28 / AN 1634
(new21/Frans Hals-664788.jpg)

Künstler: SOLARI, Andrea
SOLARI, Andrea Ecce Homo Germany oil painting reproduction


SOLARI, Andrea Ecce Homo Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63556
SOLARI, Andrea
Ecce Homo
Panel Accademia Carrara, BergamoArtist:SOLARI, Andrea Title: Ecce Homo Painted in 1501-1550 , Italian - - painting : religious
(new21/SOLARI, Andrea-869327.jpg)

Künstler: Albrecht Durer
Albrecht Durer Self-portrait at 22 Germany oil painting reproduction


Albrecht Durer Self-portrait at 22 Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63728
Albrecht Durer
Self-portrait at 22
1493 Oil on linen, transferred from vellum, 57 x 45 cm Mus?e du Louvre, Paris This is D?rer's first painted self portrait, dated 1493. It is the earliest known self portrait in European art produced as an independent painting (although earlier artists had sometimes portrayed themselves among figures in an altarpiece or fresco). A sketched self portrait, dated 1493 on the reverse, could well have been an early study for the oil painting. D?rer completed the oil painting towards the end of his travels as a journeyman, almost certainly in Strasbourg. It was originally on vellum, which would have made it relatively simple to transport, and this suggests that it might well have been sent back to Nuremberg. D?rer inscribed at the top of the self portrait: `Things with me fare as ordained from above', a sign of his faith in God. The artist's youthful features are framed by his lanky, ginger hair, which is topped by a red tasselled cap. Beneath his grey cloak, fringed with red, he wears an elegant pleated shirt with pink ribbons. His strong nose, heart-shaped upper lip and long neck are emphasized in the painting. Using a mirror, D?rer obviously found it difficult to paint his hands and eyes, the two features which are always a challenge in a self portrait. In his rough hands, D?rer holds a sprig of sea holly, a thistle-like plant. Its German name means `man's fidelity' and this, together with the fact that the plant was sometimes regarded as an aphrodisiac, has led to speculation that the self portrait was intended as a gift for his fianc?e. While D?rer was away, his father had arranged for Agnes Frey to become his wife and they eventually married on 7 July 1494, two months after his return to Nuremberg. However, it is just as likely that the self portrait was a gift for his parents, whom he had not seen for nearly four years. One can imagine the surprise and pleasure they must have felt to receive this picture after their son's long absence. It would have been a reminder of his handsome features and further evidence of his blossoming talent.Artist:D?RER, Albrecht Title: Self-portrait at 22 Painted in 1501-1550 , German - - painting : portrait
(new21/Albrecht Durer-484887.jpg)

Künstler: Albrecht Durer
Albrecht Durer Self-Portrait at 26 Germany oil painting reproduction


Albrecht Durer Self-Portrait at 26 Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63730
Albrecht Durer
Self-Portrait at 26
1498 Oil on panel, 52 x 41 cm Museo del Prado, Madrid This self portrait is dated 1498 and inscribed: `I have thus painted myself. I was 26 years old. Albrecht D?rer.' Since the artist turned 27 on the 21 May, the picture must date from the beginning of the year. The artist's pose is self confident, showing him standing upright and turning slightly to lean his right arm on a ledge. D?rer's figure fills the picture, with his hat almost touching the top. His face and neck glow from the light streaming into the room and his long curly hair is painstakingly depicted. Unlike his earlier self portrait, he now has a proper beard, which was then unusual among young men. Nine years later D?rer wrote an ironic poem in which he described himself as `the painter with the hairy beard'. The artist's clothing is flamboyant. His elegant jacket is edged with black and beneath this he wears a white, pleated shirt, embroidered along the neckline. His jaunty hat is striped, to match the jacket. Over his left shoulder hangs a light-brown cloak, tied around his neck with a twisted cord. He wears fine kid gloves. Inside the room is a tall archway, partly framing D?rer's head, and to the right a window opens out onto an exquisite landscape. Green fields give way to a tree-ringed lake and beyond are snow-capped mountains, probably a reminder of D?rer's journey over the Alps three years earlier. Depicting a distant landscape, viewed through a window, was a device borrowed from Netherlandish portraiture. The Germans still tended to consider the artist as a craftsman, as had been the conventional view during the Middle Ages. This was bitterly unacceptable to D?rer, whose second Self-Portrait (out of three) shows him as slender and aristocratic, a haughty and foppish youth, ringletted and impassive. His stylish and expensive costume indicates, like the dramatic mountain view through the window (implying wider horizons), that he considers himself no mere limited provincial. What D?rer insists on above all else is his dignity, and this was a quality that he allowed to others too. This picture was acquired by Charles I of England and later bought by Philip IV of Spain.Artist:D?RER, Albrecht Title: Self-Portrait at 26 Painted in 1501-1550 , German - - painting : portrait
(new21/Albrecht Durer-584697.jpg)

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