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Künstler: Francisco de goya y Lucientes
Francisco de goya y Lucientes Portrait of the Poet Germany oil painting reproduction


Francisco de goya y Lucientes Portrait of the Poet Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62356
Francisco de goya y Lucientes
Portrait of the Poet
60 x 49,5 cm Museo de Bellas Artes, Bilbao Leandro Fern?ndez de Morat?n (1760-1828) was a Spanish dramatist and poet. A supporter of Joseph Bonaparte, he lived in exile in France after Bonaparte fell. Moliere, whose works he translated, was his literary model. His plays, satiric and psychologically acute, include El s?de las ninas [the maidens?consent] (1806), for which he was denounced to the Inquisition. He was subsequently compelled to give up playwriting. He was a friend of Goya who painted his portrait twice, this one in Bilbao, and another in 1799 which is now in the Museo de la Real Academia de San Fernando, Madrid. Author: GOYA Y LUCIENTES, Francisco de Title: Portrait of the Poet Morat?n , 1801-1850 , Spanish Form: painting , portrait
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Künstler: RAFFAELLO Sanzio
RAFFAELLO Sanzio Double Portrait Germany oil painting reproduction


RAFFAELLO Sanzio Double Portrait Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62373
RAFFAELLO Sanzio
Double Portrait
77 x 111 cm Galleria Doria Pamphilj, Rome This austere double portrait of great stylistic restraint, set against a green background, in which the two figures, perhaps intentionally conceived by the artist in the manner of Roman busts, seem not to communicate with one another, has never roused a great deal of enthusiasm on the part of critics. In fact, no one has ever seriously studied of this painting and, even though it is now almost universally agreed to be the work of Raphael, the identity of the two figures has remained highly debatable. Some have seen them as Luther and Calvin (Pamphilj inventory of circa 1684), or as Bartolo da Sassoferrato and Baldo degli Ubaldi, two fourteenth-century jurists (inventory of Olimpia Aldobrandini ante 1665), or as Andrea Doria and Christopher Columbus, an interesting idea, or finally, as Andrea Navagero and Agostino Beaziano, a highly plausible identification that has been accepted by the most recent literature. We know from a letter written by Pietro Bembo on April 3, 1516, to Cardinal Bibbiena, that Raphael, Castiglione, Navagero and Beaziano had planned to make a trip to Tivoli together the following day. It is likely that the artist intended to paint a dual portrait of the two men: Andrea Navagero (1453-1529; humanist and man of letters, since 1515 librarian of St Mark's, who left Rome at the end of April for Venice, so his portrait would have to have been finished before his departure) and Agostino Beaziano (born in Treviso around the last decade of the fifteenth century and died in 1549, he started on a career in diplomacy through the intercession of Bembo, who took him around so that he could establish links with the most famous personages on the Roman scene). It is also likely that the painting was intended for their common friend Bembo, and it is in fact recorded as belonging to him in 1538, when he gave it to the surviving member of the pair, Beaziano, begging him "to take care that [the two heads] do not get spoilt." These facts are confirmed by the contemporary Marcantonio Michiel, who adds that the double portrait was painted on panel. This has led some critics to reject the Doria Pamphilj picture, considering it to be a copy on canvas. Yet it is easy to eliminate this objection, given that the picture here, already listed in the collection of Cardinal Pietro Aldobrandini in 1603 (as "Two portraits both the work of Raffaelle Da Urbino," and thus without any reference to the identity of the figures), later passed into that of Olimpia Aldobrandini Pamphilj, where it was cited before 1665 as canvas applied to panel. The wooden support was later removed, leaving the work in its present state. It would seem therefore correct to identify this picture (of which there are two copies with separate portraits in the Prado) as the Portrait of Navagero and Beaziano, painted by Raphael in April 1516 as a mark of their friendship. However a degree of uncertainty must remain, especially with regard to the age of the figures, which appears to be greater than that of the two men at the time, about thirty-three and twenty-six, respectively. In addition, other portraits that are definitely of Andrea Navagero, such as the 1526 one by Titian's school in Berlin or the one in a Roman collection, raise further doubts about the identification. The difficulties in judging similarities of appearance are well known, especially where historical personages are concerned. So the problem of Raphael's Double Portrait in the Galleria Doria Pamphilj remains unsolved
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Künstler: MOR VAN DASHORST, Anthonis
MOR VAN DASHORST, Anthonis Sir Thomas Gresham Germany oil painting reproduction


MOR VAN DASHORST, Anthonis Sir Thomas Gresham Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62416
MOR VAN DASHORST, Anthonis
Sir Thomas Gresham
1565-70 Oil on panel, 90 x 75,5 cm Rijksmuseum, Amsterdam From 1552 to 1567, the English merchant Thomas Gresham (1519-1579) lived and worked in Antwerp as financial agent of the English crown (`King's merchant'). This prominent social position explains why he had his portrait painted by Mor, who was court artist to Philip II. This Utrecht-born painter was noted for the accurate recording of detail in his portraits. He depicted Gresham as a strong, somewhat reserved personality. Mor also painted a portrait of Gresham's wife, which is likewise in the Rijksmuseum. Author: MOR VAN DASHORST, Anthonis Title: Sir Thomas Gresham , 1551-1600 , Flemish Form: painting , portrait
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Künstler: Samuel Palmer
Samuel Palmer Self-Portrait Germany oil painting reproduction


Samuel Palmer Self-Portrait Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62448
Samuel Palmer
Self-Portrait
1825 Black chalk heightened with white on buff paper, 291 x 229 mm Ashmolean Museum, Oxford This extraordinary self-portrait the artist drew around 1825, with hollow and haunted eyes, seems an attempt to understand the processes at work within him and projected on to the pages of his sketchbooks. Author: PALMER, Samuel Title: Self-Portrait Form: graphics , 1801-1850 , English , portrait
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Künstler: unknow artist
unknow artist Portrait of Frederik Germany oil painting reproduction


unknow artist Portrait of Frederik Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62499
unknow artist
Portrait of Frederik
1832 Oil on canvas, 42 x 38 cm Hirschsprungske Samling, Copenhagen A plant is a significant presence in the portrait that the leading Danish painter of the age, Christen K?bke, painted of his friend Frederik S?dring (1809-62) on his birthday in 1832. The smiling, ruddy cheeked landscape painter is seated palette in hand. The vigorous ivy in a pot behind him has a multiple purpose, standing for the friendship that binds artist and sitter, and the creativity that enables him to mediate between nature and the ideal - represented respectively by the pictures of a cow and of Roman ruins pinned to the wall. Once again, while adopting the organic image of creativity common to Romanticism, K?bke's picture presents a wholesome, outgoing impression of the artist's life. Author: K?BKE, Christen Title: Portrait of Frederik S?dring Form: painting , 1801-1850 , Danish , portrait
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Künstler: unknow artist
unknow artist A Turk Germany oil painting reproduction


unknow artist A Turk Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62505
unknow artist
A Turk
1820 Black chalk and watercolour, 301 x 226 mm Mus?e du Louvre, Paris The quiet and melancholy Mustapha was a shipwrecked Turkish sailor G?ricault had found in a Paris street and brought home as a model and companion. It is probably his features, dark eyes sad beneath his turban, that are depicted in several late studies of a Turk that strike the viewer as warmly individualized portraits. Author: G?RICAULT, Th?odore Title: A Turk (Mustapha) Form: graphics , 1801-1850 , French , other
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Künstler: unknow artist
unknow artist The Grandmother's Birthday Germany oil painting reproduction


unknow artist The Grandmother's Birthday Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62555
unknow artist
The Grandmother's Birthday
1856 Oil on panel, 71 x 58 cm Royal Collection, Windsor Waldmeller was the most important Austrian painter of the Biedermeier period during the first half of the nineteenth century. Within his lifetime he established a reputation in America, and there was a major exhibition of his work in London in 1862. He was proficient in most aspects of painting - miniatures, landscape, portraits and genre. His career within the art establishment was successful, but not without controversy. Appointed Professor at the Academy in Vienna in 1829, he was an advocate of realist painting and of reform, which led to his temporary dismissal from the post from 1857-64. Nonetheless, Waldmiiller was an effective teacher, an influential theorist, and an immensely popular artist within Viennese society and at court. His success as a painter stemmed from his powers of observation, from his measured style and his wholly sympathetic treatment of subject matter. The accumulation and faithful recording of detail led to an idealism based on the subject matter itself, as opposed to one imposed upon it by an outside order, this being a vital distinction between eighteenth- and nineteenth-century art. Rustic genre was the last theme that Waldmeller essayed. The subjects he chose extolled the moral virtues of rural life, or, as here, the joys of family life. The care taken over the rendering of garments, the still life and the surroundings is offset by the radiance of the figures' expressions, reinforced by their gestures which create a circular composition of great tenderness. Waldmeller was well-versed in the tradition of the Old Masters and the composition has affinities with several paintings by Raphael of the Holy Family - the Madonna Canigiani (Munich, Alte Pinakothek), the Madonna dell'Impannata (Florence, Palazzo Pitti), the Madonna of Francis I (Paris, Louvre) and the Madonna della Perla (Madrid, Prado). Waldmeller's homage to Raphael, however, is seen through the eyes of Correggio. Artist: WALDMeLLER, Fedinand Georg Title: The Grandmother's Birthday , painting Date: 1801-1850 Austrian : genre
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Künstler: unknow artist
unknow artist Hubert Robert Germany oil painting reproduction


unknow artist Hubert Robert Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62556
unknow artist
Hubert Robert
1788 Oil on wood, 105 x 84 cm Musee du Louvre, Paris Artist: VIGeE-LEBRUN, elisabeth Title: Hubert Robert, Artist Date: 1751-1800 French , painting : portrait
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Künstler: Bartolome Esteban Murillo
Bartolome Esteban Murillo Juvenile drinking Germany oil painting reproduction


Bartolome Esteban Murillo Juvenile drinking Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62596
Bartolome Esteban Murillo
Juvenile drinking
mk284 Oil on canvas 62.8 x 47.9 cm National Gallery of London
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Künstler: Bartolome Esteban Murillo
Bartolome Esteban Murillo The Shaonian Lang handheld Fruit Basket Germany oil painting reproduction


Bartolome Esteban Murillo The Shaonian Lang handheld Fruit Basket Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62597
Bartolome Esteban Murillo
The Shaonian Lang handheld Fruit Basket
mk284 Oil on canvas 1660 - 1665 102 x 82 cm National Gallery of Edinburgh
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Künstler: Jerome-Martin Langlois
Jerome-Martin Langlois Portrait of Jacques-Louis David Germany oil painting reproduction


Jerome-Martin Langlois Portrait of Jacques-Louis David Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62823
Jerome-Martin Langlois
Portrait of Jacques-Louis David
1824 Oil on canvas, 88 x 75 cm Musee du Louvre, Paris David's features continued to be twisted by the growth of his tumour; the Scottish novelist Sir Walter Scott said that the painter's face was the most hideous he had ever seen
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Künstler: GHISLANDI, Vittore
GHISLANDI, Vittore Self-Portrait Germany oil painting reproduction


GHISLANDI, Vittore Self-Portrait Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62825
GHISLANDI, Vittore
Self-Portrait
1806 Oil on canvas Galleria Borghese, Rome The self-portrait of the artist and its companion pice, the portrait of Canova celebrates the friendship between the painter and the sculptor by capturing their appearence in 1806 for posterity. Artist: LANDI, Gaspare Title: Self-Portrait , painting Date: 1801-1850 Italian : portrait
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