Oil Paintings, Painted by Talent Swedish Artists

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Italian painter, Venetian school (b. 1490, Pieve di Cadore, d. 1576, Venezia).
TIZIANO Vecellio bacchus och ariaden oil painting artist


TIZIANO Vecellio bacchus och ariaden oil painting artist

Pintura Identificación::  56674
bacchus och ariaden
new20/TIZIANO Vecellio-365264.jpg
mk248 ett av de tre mytologiska motiv tzian malade till bertigens av ferrara studiolo mellen 1518 ocb 1525. pa den bar duken malade tizian forst den fullbordade bakgrunden in pa en silbuett av vit grundfarg, detta for att fylligast mojliga fargeffekt skulle uppnas. tizians palrtt omfattade sa gott som samtliga de pigment som var kande pa bans tid. malninges kosition ar komplex men sa skickligt utformad att varje detalj i den mytolog iska ben mytologiska berattelsen otvunget utspelas medan blicken glider fram over duken.

TIZIANO Vecellio Field concert oil painting artist


TIZIANO Vecellio Field concert oil painting artist

Pintura Identificación::  57237
Field concert
new20/TIZIANO Vecellio-773677.jpg
mk255 for in 1509. 1.05 x 1.37 meters canvas. Paris, the Louvre

TIZIANO Vecellio Those who wear gloves oil painting artist


TIZIANO Vecellio Those who wear gloves oil painting artist

Pintura Identificación::  57238
Those who wear gloves
new20/TIZIANO Vecellio-487855.jpg
mk255 for in the 1520 oil painting 1 x 0.89 meters. Paris Louvre

TIZIANO Vecellio Sick Man oil painting artist


TIZIANO Vecellio Sick Man oil painting artist

Pintura Identificación::  58377
Sick Man
new20/TIZIANO Vecellio-328648.jpg
mk261 years 1514 -1522 Venice oil painting on canvas 81 x 60 cm

TIZIANO Vecellio Christ Carrying the Cross oil painting artist


TIZIANO Vecellio Christ Carrying the Cross oil painting artist

Pintura Identificación::  62322
Christ Carrying the Cross
new21/TIZIANO Vecellio-329474.jpg
98 x 116 cm Museo del Prado, Madrid In this painting, which is also known as Christ and the Cyrenian, Titian vividly conveys the intense, physical suffering experienced by Christ as he is bowed down by the weight of the cross. The beholder is encouraged to meditate on the physical realism of the scene and empathise with Christ

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