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Gemälde::. All portrait >> woman

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Künstler: unknow artist
unknow artist Mary Lodge Germany oil painting reproduction


unknow artist Mary Lodge Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62865
unknow artist
Mary Lodge
Bride of Baron Charles-Louis de Keverberg de Kessel 1818 Oil on canvas, 212 x 145 cm Groeninge Museum, Bruges The painting is the companion-piece of the portrait of Charles-Louis de Keverberg de Kessel, governor of East Flanders. Artist: DUCQ, Joseph-Franeois Title: Mary Lodge, Bride of Baron Charles-Louis de Keverberg de Kessel , painting Date: 1801-1850 Belgian : portrait
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Künstler: Jacques-Louis David
Jacques-Louis David Portrait of Marie Germany oil painting reproduction


Jacques-Louis David Portrait of Marie Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62869
Jacques-Louis David
Portrait of Marie
1769 Oil on canvas, 66 x 54 cm Musee National des Beaux-Arts, Algiers As with many other young artists, David used his close relatives as models for his first portraits. As well as his uncle Buron, he also painted his aunt, Marie-Josephe, and her daughter, Marie-Franeoise, who had supported his wish to become a painter. Both paintings show a directness of approach and a sympathetic contact between artist and sitter that anticipate David's later successes in portraiture. Artist: DAVID, Jacques-Louis Title: Portrait of Marie-Franeoise Buron , painting Date: 1801-1850 French : portrait
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Künstler: BOTTICELLI, Sandro
BOTTICELLI, Sandro Portrait of a Lady Germany oil painting reproduction


BOTTICELLI, Sandro Portrait of a Lady Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62941
BOTTICELLI, Sandro
Portrait of a Lady
1470-75 Tempera on panel, 65,7 x 41 cm Victoria and Albert Museum, London If the inscription on the window jamb, possibly dating from the 16th century, is to be believed, this is a portrait of Smeralda Brandini, who was a member of a respected Florentine family. A sign of her rank and respectable status is the handkerchief which she is holding in the hand placed across her body. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Lady , 1451-1500 Painting Style: Italian , , portrait
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Künstler: BOTTICELLI, Sandro
BOTTICELLI, Sandro Portrait of a Young Woman Germany oil painting reproduction


BOTTICELLI, Sandro Portrait of a Young Woman Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62943
BOTTICELLI, Sandro
Portrait of a Young Woman
1475 Tempera on panel, 61 x 40 cm Galleria Palatina (Palazzo Pitti), Florence There are several assumptions concerning the identity of the young woman (Simonetta Vespucci, Clarice Orsini, Fioretta Gorini etc.). The picture was partly repainted. The sleeve of the robe covers the left hand in a very unnatural way. The lock of hair coming loose from her bun gives a more spontaneous feeling to this severe profile portrait. The half length figure is slightly to the left of the centre of the picture. Behind her is a dark window frame and it contrasts with the gentle flow other contours. The attribution of the work to Botticelli is disputed. Artist: BOTTICELLI, Sandro Painting Title: Portrait of a Young Woman , 1451-1500 Painting Style: Italian , , portrait
(new21/BOTTICELLI, Sandro-536976.jpg)

Künstler: MEYTENS, Martin van
MEYTENS, Martin van Empress Maria Theresa Germany oil painting reproduction


MEYTENS, Martin van Empress Maria Theresa Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63072
MEYTENS, Martin van
Empress Maria Theresa
Oil on canvas Town Hall, Ghent This portrait of the Empress is in the reception salon of the Ghent Town Hall. The dress of Flemish lace that she is wearing was a gift to her from the states of Flanders. The dress was made by Ghent orphans. Out of gratitude for this expensive present, Maria Theresa allowed her portrait to be painted by her court painter, Martin van Meytens, after which the completed work was handed over to the members of the states. Artist: MEYTENS, Martin van Painting Title: Empress Maria Theresa , 1701-1750 Painting Style: Austrian , , portrait
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Künstler: MAULBERTSCH, Franz Anton
MAULBERTSCH, Franz Anton Mary Magdalene Germany oil painting reproduction


MAULBERTSCH, Franz Anton Mary Magdalene Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63081
MAULBERTSCH, Franz Anton
Mary Magdalene
1754 Oil on canvas Cistertian Church, Zirc The picture shows the influence Piazzetta's painting. Artist: MAULBERTSCH, Franz Anton Painting Title: Mary Magdalen , 1751-1800 Painting Style: Austrian , , religious
(new21/MAULBERTSCH, Franz Anton-883264.jpg)

Künstler: Antonio Pollaiuolo
Antonio Pollaiuolo Portrait of a Girl - Panel Museo Poldi Pezzoli Germany oil painting reproduction


Antonio Pollaiuolo Portrait of a Girl - Panel Museo Poldi Pezzoli Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63101
Antonio Pollaiuolo
Portrait of a Girl - Panel Museo Poldi Pezzoli
Milan There are experts who think it to be the work of Domenico Veneziano. Independently of this uncertainty, this is one of the most beautiful profile portraits of the period. Artist: POLLAIUOLO, Antonio del Painting Title: Portrait of a Girl , 1451-1500 Painting Style: Italian , , portrait
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Künstler: BARTOLOMEO VENETO
BARTOLOMEO VENETO Woman Playing a Lute Germany oil painting reproduction


BARTOLOMEO VENETO Woman Playing a Lute Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63540
BARTOLOMEO VENETO
Woman Playing a Lute
1520 Oil on panel, 65 x 50 cm Pinacoteca di Brera, Milan The date appears on the paper below the lute: 1520. A replica, perhaps by the artist himself, is in the Gardner Museum, Boston. The woman is represented in the guise of St Cecilia, a typical example of sixteenth-century "court art." In fact the artist worked for three years at Ferrara for Lucrezia Borgia. Bartolomeo's formation derives from Cima da Conegliano and the later work of Bellini, with influences from Leonardo, Costa and northern European art. His signature on a painting that was formerly in the Dona delle Rose collection in Venice shows how aware he was of his mixed development: "Bartolamio half Venetian and half Cremonese." He liked to paint half-figures of women, and chose subjects with strong personalities.Artist:BARTOLOMEO VENETO Title: Woman Playing a Lute Painted in 1501-1550 , Italian - - painting : genre
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Künstler: Agnolo Bronzino
Agnolo Bronzino Portrait of a Lady Germany oil painting reproduction


Agnolo Bronzino Portrait of a Lady Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63541
Agnolo Bronzino
Portrait of a Lady
1550 Oil on wood, 109 x 85 cm Galleria Sabauda, Turin Some critics assumed that the sitter is Eleonora of Toledo, however, she is probably a wealthy Florentine lady.Artist:BRONZINO, Agnolo Title: Portrait of a Lady Painted in 1501-1550 , Italian - - painting : portrait
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Künstler: RAFFAELLO Sanzio
RAFFAELLO Sanzio Madonna and Child with the Infant St John Germany oil painting reproduction


RAFFAELLO Sanzio Madonna and Child with the Infant St John Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63546
RAFFAELLO Sanzio
Madonna and Child with the Infant St John
1508 Tempera and oil on wood Museum of Fine Arts, Budapest Raphael, perhaps the most popular and widely appreciated master of Renaissance Italy, was a man of many talents. He succeeded Bramante as architect of St Peter's and was surveyor of excavations of the antiquities of Ancient Rome, as well as producing monumental frescoes and outstanding religious compositions and portraits. It is as a painter of Madonnas, however, that he is most widely known, and his unrivalled popularity with succeeding generations has been mainly due to the harmony and beauty of these paintings. He depicted Mary as a heavenly being who was yet flesh and blood: in half-length or full-length pictures she is seen enthroned or floating through the heavens, against a landscape background or in some interior scene, alone with her Child or in the company of saints
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Künstler: HOLBEIN, Hans the Younger
HOLBEIN, Hans the Younger Portrait of Dorothea Meyer Germany oil painting reproduction


HOLBEIN, Hans the Younger Portrait of Dorothea Meyer Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63721
HOLBEIN, Hans the Younger
Portrait of Dorothea Meyer
Kannengiesser 1516 Limewood, 38,5 x 30,8 cm Kunstmuseum, ?ffentliche Kunstsammlung, Basle There is a companion-piece of this painting, the portrait of the sitter's husband, Jakob Meyer zum Hasen. The architecture provides a link between the two portraits and creates a shared space for the figures; prior to Holbein, such a pictorial concept was unknown in Basle panel painting. The same applies to the decorative elements on the architecture, derived from the Italian Renaissance, such as the coffered vault and the acanthus leaf frieze, which incorporates two putti. The gilded coffering and pillar enhance the appearance of sober opulence in this striking and forthright depiction of Dorothea Kannengiesser, the second wife of Jakob Meyer. Their double-portrait, signed and dated 1516, was probably commissioned to celebrate Meyer's election as burgomaster. This had crucial repercussions for Holbein's career; evidently pleased with such an impressive diptych from so young an artist, Meyer gained Holbein numerous commissions in the following few years. Meyer was a member of the increasingly important mercantile class in Basle and the first of its members to achieve significant administrative power. (The coin he holds signifies his money-dealing role and also perhaps Basle's new-found permission to mint coins.) His friends and colleagues were therefore in the financial position to aid Holbein through their patronage. Meyer's tenure was brief, however - in 1521 he was impeached for accepting a larger bribe than was permitted from the French, imprisoned when he protested at his treatment and barred from office thereafter. He remained a Catholic after the city's secession to the reformed religion and led the Catholic party in the city: Holbein would perceive such strength of character again, in the analogous determination of Sir Thomas More to remain true to his faith .Artist:HOLBEIN, Hans the Younger Title: Portrait of Dorothea Meyer, n?e Kannengiesser Painted in 1501-1550 , German - - painting : portrait
(new21/HOLBEIN, Hans the Younger-639363.jpg)

Künstler: HOLBEIN, Hans the Younger
HOLBEIN, Hans the Younger Portrait of an Unknown Lady Germany oil painting reproduction


HOLBEIN, Hans the Younger Portrait of an Unknown Lady Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63722
HOLBEIN, Hans the Younger
Portrait of an Unknown Lady
1541 Vellum mounted on playing card, diameter 5,1 cm Royal Collection, Windsor The first portrait miniatures were produced in France, their precursors being the small circular works commissioned by Francis I to celebrate the victory of Marignano in 1515. Jean Clouet was among the early practitioners of this format, which seems to have arrived in England by 1526 in the form of French royal portraits. Ten years elapsed before Holbein's contribution, but his work marks an immediate advance over the productions of earlier native practitioners like Lucas Horenbout. The small scale and different medium - vellum mounted on playing card (and termed `miniature' because of the lead, Latin minium, used in the paint) did nothing to hamper Holbein's sturdy realism. The identity of the lady is uncertain - the Romantic view of the 1840s judged it to be a portrait of Henry VIII's tragic fifth wife, Catherine Howard, executed for alleged adultery, although no ascertainable portrait of her exists elsewhere. What is certain is that Holbein's powers of characterization lost nothing in the confined space. Features of his late style include the clarity and simplicity of the background, often eschewing even the standard biographical information so as to maintain as direct a perception of the sitter as possible.Artist:HOLBEIN, Hans the Younger Title: Portrait of an Unknown Lady Painted in 1501-1550 , German - - painting : portrait
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