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Gemälde::. All people >> madonna

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Vorherig  80  81  82  83  84  85  86  87  88  89  90  91  92  93  94  95  96  97  98  Nächst
Künstler: Raphael
Raphael madonna of the pinks Germany oil painting reproduction


Raphael madonna of the pinks Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64776
Raphael
madonna of the pinks
national gallery, london se
(new22/Raphael-869839.jpg)

Künstler: Raphael
Raphael virgin and child Germany oil painting reproduction


Raphael virgin and child Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64784
Raphael
virgin and child
enthroned with ss. john the baptist and nicholas of bari national gallry, london oil on wood,209x148 se
(new22/Raphael-856269.jpg)

Künstler: Raphael
Raphael madonna conestabile Germany oil painting reproduction


Raphael madonna conestabile Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64787
Raphael
madonna conestabile
hermitage, st petersburg tempera on panel, transferred to canvas, diameter 18cm. se
(new22/Raphael-624444.jpg)

Künstler: Raphael
Raphael virgin and child with Germany oil painting reproduction


Raphael virgin and child with Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64788
Raphael
virgin and child with
st. john the baptist the madonna of the meadow oil on panel, 113x88 se
(new22/Raphael-376669.jpg)

Künstler: Raphael
Raphael virgin and child wild st. Germany oil painting reproduction


Raphael virgin and child wild st. Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64789
Raphael
virgin and child wild st.
john the baptist louvre, paris oil on panel,122x80cm
(new22/Raphael-357335.jpg)

Künstler: Raphael
Raphael bridgewater madonna Germany oil painting reproduction


Raphael bridgewater madonna Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64793
Raphael
bridgewater madonna
national gallyer of Scotland, edinburgh, on loan from the duke of sutherland oil on wodd, transferred tocanvas, 81x56cm se
(new22/Raphael-568234.jpg)

Künstler: Raphael
Raphael the madonna di foligno Germany oil painting reproduction


Raphael the madonna di foligno Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64833
Raphael
the madonna di foligno
vatican gallery, rome oil on wood 301x198cm se
(new22/Raphael-232654.jpg)

Künstler: Raphael
Raphael the sistine madonna Germany oil painting reproduction


Raphael the sistine madonna Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64834
Raphael
the sistine madonna
the gemaldegalerei, dresden oil on canvas, 265x196cm se
(new22/Raphael-283263.jpg)

Künstler: Raphael
Raphael the madonna del pesce Germany oil painting reproduction


Raphael the madonna del pesce Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64835
Raphael
the madonna del pesce
museo del prado, madrid oil on wood transferred to panel 215x158cm se
(new22/Raphael-584948.jpg)

Künstler: Raphael
Raphael madonna della tenda Germany oil painting reproduction


Raphael madonna della tenda Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64838
Raphael
madonna della tenda
alte pinakotek, munich oil on wood, diameter 71cm se
(new22/Raphael-983395.jpg)

Künstler: Raphael
Raphael alba madonna Germany oil painting reproduction


Raphael alba madonna Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64839
Raphael
alba madonna
national gallery of art, washington oil on wood transferred to canvas, diameter95cm se
(new22/Raphael-648786.jpg)

Künstler: unknow artist
unknow artist The Nativity Germany oil painting reproduction


unknow artist The Nativity Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  65253
unknow artist
The Nativity
1400 Tempera on walnut, 41 x 29,5 cm Galerie mittelalterlicher ?sterreichischer Kunst, Vienna The artist of this painting is referred to as Master of Salzburg. In this picture the scene of the Nativity is represented according to an apocryphal story of the Gospel: the Virgin is reclining on her bed while two midwives are on the point of giving a bath to the Infant. The woman in green is taking the Child from His mother, while the other is taking care that the bathwater is at right temperature. The bath puts an emphasis on the human aspect of the divine Child and is a hint to baptism. Joseph is seated on the right-hand side deep in thought. He holds his staff with his left hand, and is supporting his head with his right hand. The ox and the ass at the manger in the back seem to warm the straw and the small cambric kerchief with their breath. In addition to some stylistic resemblances the painting is reminiscent in other respects too of the Trebon Master's picture of the same scene. In both pictures the composition is divided by the building of the stable, with the difference that here the supports of the stable look like the frame of the scene represented, and divide the surface into two parts and not into three. In both pictures the supporting pole, emphatically placed in the foreground, separates Joseph, who views the events from the back and plays a role similar to the spectator's. In this picture too we can see birds on the roof of the stable, but they are shaped more firmly and realistically (as are the figures) than in the work of the Master of Trebon. In spite of the simplicity of the presentation and the somewhat rugged shaping of the figures with their rather large heads the susceptibility of the International Gothic style to elegance and decorative patterns evinces itself in this painting too. The elegance can be seen in the buoyant lines of the draperies, and in the Virgin's mantle, which clings to her body as if it were wet; the decorativeness in the way in which the painter has used the opportunities inherent in the rustic surroundings, and brought into harmony the pattern of the thatched roof, the mat and the fence, which are made of similar materials, and there is an additional harmonious touch in the plaited hair of one of the midwives. As in a great many other pictures of the period the ground is exceedingly steep here; compared to the figures in the foreground the stable seems to be high, on the other hand the beam underneath the roof touches the animals' heads. Although the white piece of cloth between the two midwives-in all probability a napkin, another symbol of the human nature of Jesus-looks as though it were hovering, in fact it lies on the ground. All this is not surprising, since these forms do not convey space, they are meant, first and foremost, to fill up the surface of the picture. Artist: UNKNOWN MASTER, Austrian , The Nativity , 1351-1400 , Austrian , painting , religious
(new22/unknow artist-998748.jpg)

Vorherig  80  81  82  83  84  85  86  87  88  89  90  91  92  93  94  95  96  97  98  Nächst
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