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Vorherig  116  117  118  119  120  121  122  123  124  125  126  127  128  129  130  131  132  133  134  135  Nächst
Künstler: Peter Severin Kroyer
Peter Severin Kroyer vinhost i tyrol Germany oil painting reproduction


Peter Severin Kroyer vinhost i tyrol Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64516
Peter Severin Kroyer
vinhost i tyrol
1901 privateje se
(new22/Peter Severin Kroyer-983996.jpg)

Künstler: Peter Severin Kroyer
Peter Severin Kroyer hip, hip, hurra Germany oil painting reproduction


Peter Severin Kroyer hip, hip, hurra Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64517
Peter Severin Kroyer
hip, hip, hurra
se
(new22/Peter Severin Kroyer-733833.jpg)

Künstler: Peter Severin Kroyer
Peter Severin Kroyer frokostgildet, hip, hip, hurra, Germany oil painting reproduction


Peter Severin Kroyer frokostgildet, hip, hip, hurra, Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64519
Peter Severin Kroyer
frokostgildet, hip, hip, hurra,
1888 goteborg konstmuseum se
(new22/Peter Severin Kroyer-827799.jpg)

Künstler: Laurits Tuxen
Laurits Tuxen kunstnerens anden hustru med nina og yvonne i haven pa skagen Germany oil painting reproduction


Laurits Tuxen kunstnerens anden hustru med nina og yvonne i haven pa skagen Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64544
Laurits Tuxen
kunstnerens anden hustru med nina og yvonne i haven pa skagen
1922 se
(new22/Laurits Tuxen-936736.jpg)

Künstler: unknow artist
unknow artist Smokers in an Interior Germany oil painting reproduction


unknow artist Smokers in an Interior Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64559
unknow artist
Smokers in an Interior
1643 Oil on canvas, 117 x 137 cm Mus?e du Louvre, Paris Not all the Le Nain genre scenes depict peasants. Some of them show middle-class sitters, even rarer in art than the depiction of the poor. It is one of these larger 'bourgeois compositions' which admits the Le Nain brothers into that small group of painters capable of creating a masterpiece. This is the Smokers in an Interior in the Louvre, dated 1643. Its technique must have been learned during the painting of the Forge, but the brushwork is far more precise. The composition is much less original, being closer to the type familiar from the Dutch. The figures are grouped round a table illuminated by a solitary candle, and the figure on the left has fallen asleep at the table. In this painting it seems that the depiction of low life - here middle-class men smoking in an interior - has risen beyond its normal pictorial limitations to create a masterpiece which is, perforce, unexpected. While Nicolas Poussin was obsessed with the concept of beauty and with the need to be able to paint exactly what he thought, here the painter's desire arises from an opposite need, the need to observe. Each of the models appears to be a portrait, although it is difficult to explain why the sitters should have chosen to be depicted with such casualness. There is no clue to the possibility of a confraternity, although the curious emblems on the carpet on the table could be symbols of some secret society. The eerie quality of the picture is emphasized by the fall of the shadows on the faces and by the way in which the figures stare into space just like the peasants in other pictures and the seated figure on the right has all the appearance of being under the influence of some drug. There is no satisfactory explanation for such a picture; it is as if this trio of painters, observers of a small fragment of their times, never intended the meanings of their pictures to be divined. Artist:LE NAIN brothers Title: Smokers in an Interior, 1601-1650, French , painting , genre
(new22/unknow artist-436585.jpg)

Künstler: MASSYS, Quentin
MASSYS, Quentin St Anne Altarpiece Germany oil painting reproduction


MASSYS, Quentin St Anne Altarpiece Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64560
MASSYS, Quentin
St Anne Altarpiece
1507-08 Oil on wood Mus?es Royaux des Beaux-Arts, Brussels The right wing shows St Anne on her death bed, covered with a red sheet, her face pale, her mouth half open, as if she had just breathed her last. Mary Salome, who has collapsed with grief, wipes the tears from her cheeks. Artist:MASSYS, Quentin Title: St Anne Altarpiece (right wing, detail), 1451-1500, Flemish , painting , religious
(new22/MASSYS, Quentin-359773.jpg)

Künstler: BEUCKELAER, Joachim
BEUCKELAER, Joachim Village Feast Germany oil painting reproduction


BEUCKELAER, Joachim Village Feast Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64562
BEUCKELAER, Joachim
Village Feast
113 x 162 cm The Hermitage, St. Petersburg Artist:BEUCKELAER, Joachim Title: Village Feast, 1551-1600, Flemish , painting , genre
(new22/BEUCKELAER, Joachim-475539.jpg)

Künstler: BEUCKELAER, Joachim
BEUCKELAER, Joachim The Vegetable Market Germany oil painting reproduction


BEUCKELAER, Joachim The Vegetable Market Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64563
BEUCKELAER, Joachim
The Vegetable Market
1567 Oil on panel 149 x 215 cm Koninklijk Museum voor Schone Kunsten, Antwerp Joachim Beuckelaer took the market and kitchen painting created by Pieter Aertsen, and developed them into an independent genre which remained popular until well into the 17th century. The didactic element of Beuckelaer's paintings did not manifest itself in propaganda on behalf of Catholic orthodoxy, but in the cheerful censure of the wickedness of worldly pleasure. His paintings are full of allusions to sensuality, sexuality and fertility, with vegetables, fruit, fish, meat and cooking utensils piled up around a few figures. In his best works, Beuckelaer mixes a strong sense of space and detail on the one hand, with unity of composition on the other. Artist:BEUCKELAER, Joachim Title: The Vegetable Market, 1551-1600, Flemish , painting , still-life
(new22/BEUCKELAER, Joachim-574723.jpg)

Künstler: RUBENS, Pieter Pauwel
RUBENS, Pieter Pauwel Triumphal Entry of Henry IV into Paris Germany oil painting reproduction


RUBENS, Pieter Pauwel Triumphal Entry of Henry IV into Paris Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64581
RUBENS, Pieter Pauwel
Triumphal Entry of Henry IV into Paris
1627-30 Oil on canvas, 380 x 692 cm Galleria degli Uffizi, Florence This canvas belongs to the unfinished cycle dedicated to Henry IV and shows the king, converted and victorious, entering Paris on 22 March 1594 at the end of a long period of internal struggles. Renouncing any reference to time or place, Rubens illustrates the episode in a complex allegorical context, creating an analogy with the triumph of a Roman emperor. In particular, the group of the crowned king and the architecture of the triumphal arch (derived from the Roman prototype of the arch of Titus), surmounted by soldiers and horses, arise from en evident reinterpretation of Mantegna's painting of Caesar's Chariot. *** Keywords: ************* Author: RUBENS, Pieter Pauwel Title: Triumphal Entry of Henry IV into Paris, 1601-1650, Flemish , painting , historical
(new22/RUBENS, Pieter Pauwel-268633.jpg)

Künstler: Michael Ancher
Michael Ancher vil han klare pynten Germany oil painting reproduction


Michael Ancher vil han klare pynten Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64586
Michael Ancher
vil han klare pynten
1879. privateje
(new22/Michael Ancher-635272.jpg)

Künstler: Michael Ancher
Michael Ancher en laegpraedikant holder gudstjeneste pa skagen sonderstrand Germany oil painting reproduction


Michael Ancher en laegpraedikant holder gudstjeneste pa skagen sonderstrand Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64587
Michael Ancher
en laegpraedikant holder gudstjeneste pa skagen sonderstrand
1877 se
(new22/Michael Ancher-826269.jpg)

Künstler: Michael Ancher
Michael Ancher fiskere i faerd med at saette en rorsbad i vandet Germany oil painting reproduction


Michael Ancher fiskere i faerd med at saette en rorsbad i vandet Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64594
Michael Ancher
fiskere i faerd med at saette en rorsbad i vandet
1881 se
(new22/Michael Ancher-777429.jpg)

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