Öl auf dem Segeltuch,das echte Aroma von alten Meistern

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Flemish Northern Renaissance Painter, ca.1465-1530
MASSYS, Quentin Portrait of a Canon oil painting artist


MASSYS, Quentin Portrait of a Canon oil painting artist

Gemälde IDENTIFIZIERUNG::  33534
Porträt von einem Kanon
Portrait of a Canon (English)
new9/MASSYS, Quentin-836494.jpg
mk86 c.1510-1520 Öl auf Holz 60x73cm Vaduz
mk86 c.1510-1520 Oil on wood 60x73cm Vaduz (English)

MASSYS, Quentin Ecce Homo oil painting artist


MASSYS, Quentin Ecce Homo oil painting artist

Gemälde IDENTIFIZIERUNG::  43551
Ecce Homo
new16/MASSYS, Quentin-374879.jpg
c. 1515 Oil on panel 160 x 120 cm

MASSYS, Quentin Christ on the Cross with Donors oil painting artist


MASSYS, Quentin Christ on the Cross with Donors oil painting artist

Gemälde IDENTIFIZIERUNG::  51047
Christ on the Cross with Donors
new18/MASSYS, Quentin-379486.jpg
c. 1520 Oil on wood, 156 x 92,7 cm

MASSYS, Quentin St Mary Magdalene oil painting artist


MASSYS, Quentin St Mary Magdalene oil painting artist

Gemälde IDENTIFIZIERUNG::  63974
St Mary Magdalene
new21/MASSYS, Quentin-855397.jpg
45 x 29 cm Koninklijk Museum voor Schone Kunsten, Antwerp Quentin Massys was the first major artist of the rising Antwerp school in the 16th century. In his refined Saint Mary Magdalene, the artist conveys his ideal of feminine beauty in masterly fashion. , Artist: MASSYS, Quentin , St Mary Magdalene , 1451-1500 , Flemish , painting , religious

MASSYS, Quentin Virgin with the Child oil painting artist


MASSYS, Quentin Virgin with the Child oil painting artist

Gemälde IDENTIFIZIERUNG::  63978
Virgin with the Child
new21/MASSYS, Quentin-434942.jpg
22,5 cm Rockox House, Antwerp Around 1500, when the port of Antwerp began to emerge as the capital of north European trade, it also became a cultural melting pot. All manner of artists flocked into the town on the Scheldt. One of these was Quentin Massys from Louvain, who registered as a painter in the St. Lucas Guild in 1491, and is regarded as the founder of the Antwerp School which was soon to topple the hegemony of the School of Bruges. He remained faithful to the Flemish tradition, although the sfumato in the background of some of his landscapes shows that he was familiar with the work of Leonardo da Vinci. He is usually regarded as a painter of monumental works, and rightly so, but he also painted smaller scale scenes with figures. This is hardly surprising, since his technique had its sources in miniature paintings. The Holy Virgin with the Child Jesus, a small tondo, bears witness to the attention the master paid to sensitive, finely detailed drawing to express the tender movement of the form, and the subtle use of colour to convey the essence of a variety of textures. , Artist: MASSYS, Quentin , Virgin with the Child , 1451-1500 , Flemish Form

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