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Tableau:: portrait

Search For Oil Paintings Online Now !


Précédent  435  436  437  438  439  440  441  442  443  444  445  446  447  448  449  450  451  452  453  454  Prochaine

Artiste: Francisco de goya y Lucientes
Francisco de goya y Lucientes Bartolom Sureda y Miserol oil painting picture wholesale


Francisco de goya y Lucientes Bartolom Sureda y Miserol oil painting picture wholesale

ID de tableau::  62831
Francisco de goya y Lucientes
Bartolom Sureda y Miserol
1804-06 Oil on canvas, 120 x 79 cm National Gallery of Art, Washington BartolomeSureda was the director of the Spanish royal textile, crystal, and ceramic factories.He taught Goya the technique of aquatint. In 1804 Sureda became director of the porcelain works at the Buen Retiro. The companion-piece of the portrait, also in the National Gallery of Art in Washington, represents his wife. Artist: GOYA Y LUCIENTES, Francisco de Title: BartolomeSureda y Miserol , painting Date: 1801-1850 Spanish : portrait
(new21/Francisco de goya y Lucientes-877432.jpg)


Artiste: Francisco de goya y Lucientes
Francisco de goya y Lucientes Portrait of Jos Antonio oil painting picture wholesale


Francisco de goya y Lucientes Portrait of Jos Antonio oil painting picture wholesale

ID de tableau::  62832
Francisco de goya y Lucientes
Portrait of Jos Antonio
Marques de Caballero 1807 Oil on canvas, 105,5 x 84 cm Museum of Fine Arts, Budapest Marques de Caballero (1760-1821) was the Minister of Justice when Goya painted this portrait. Goya signed the painting on the paper held by the left hand of the sitter. Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of JoseAntonio, Marques de Caballero , painting Date: 1801-1850 Spanish : portrait
(new21/Francisco de goya y Lucientes-642577.jpg)


Artiste: Francisco de goya y Lucientes
Francisco de goya y Lucientes Portrait of Juan Antonio Cuervo oil painting picture wholesale


Francisco de goya y Lucientes Portrait of Juan Antonio Cuervo oil painting picture wholesale

ID de tableau::  62833
Francisco de goya y Lucientes
Portrait of Juan Antonio Cuervo
1819 Oil on canvas, 120 x 87 cm Museum of Art, Cleveland The sitter was an architect who was appointed Director of the Royal Academy of San Fernando in August 1815. He wears the uniform of his office and holds dividers, an attribute of his profession. The plan on the table beside him is possibly for the church of Santiago in Madrid on which he had worked in 1811 and which made his reputation. The portrait was probably finished before Goya fell ill at the end of 1819 and is one of his last official portraits. The inscription indicates that it is at the same time a portrait of a friend. The painting is signed: 'Dn. Juan Anto/Cuervo/Directr de la RI/Academia de Sn/Fernando/Por su amigo Goya/ano 1819' Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of Juan Antonio Cuervo , painting Date: 1801-1850 Spanish : portrait
(new21/Francisco de goya y Lucientes-685683.jpg)


Artiste: Francisco de goya y Lucientes
Francisco de goya y Lucientes Tiburcio oil painting picture wholesale


Francisco de goya y Lucientes Tiburcio oil painting picture wholesale

ID de tableau::  62834
Francisco de goya y Lucientes
Tiburcio
1820 Oil on canvas, 102 x 81 cm Metropolitan Museum of Art, new York Tiburcio Perez y Cuervo was an architect, a friend of Goya. Artist: GOYA Y LUCIENTES, Francisco de Title: Tiburcio Perez y Cuervo , painting Date: 1801-1850 Spanish : portrait
(new21/Francisco de goya y Lucientes-944935.jpg)


Artiste: Francisco de goya y Lucientes
Francisco de goya y Lucientes Paquete oil painting picture wholesale


Francisco de goya y Lucientes Paquete oil painting picture wholesale

ID de tableau::  62835
Francisco de goya y Lucientes
Paquete
1820 Oil on canvas, 39,1 x 31,1 cm Museo Thyssen-Bornemisza, Madrid The painting was formerly in the collection of Goya's grandson, Mariano, and before it was relined the canvas was inscribed on the back: 'El celebre ciego fijo' ('The famous blind man'). The sitter was identified as a well-known beggar who used to sit on the steps of the church of San Felipe el Real in Madrid, and was invited to play the guitar and sing in the houses of members of the court. Goya creates a vivid impression of the blind eyes and jovial expression of the old man in a style close to that of the 'black paintings'. At the same time it is remarkably similar to the manner of Velezquez in his portrayal of the facial expressions of court dwarfs. Artist: GOYA Y LUCIENTES, Francisco de Title: Teo Paquete , painting Date: 1801-1850 Spanish : portrait
(new21/Francisco de goya y Lucientes-777675.jpg)


Artiste: Francisco de goya y Lucientes
Francisco de goya y Lucientes Infante Don Sebasti oil painting picture wholesale


Francisco de goya y Lucientes Infante Don Sebasti oil painting picture wholesale

ID de tableau::  62836
Francisco de goya y Lucientes
Infante Don Sebasti
Gabriel de Borben y Braganza 1822 Oil on canvas, 144 x 105 cm Private collection The model is the son of Pedro de Borben and Princess Braganza. Artist: GOYA Y LUCIENTES, Francisco de Title: Infante Don Sebastien Gabriel de Borben y Braganza , painting Date: 1801-1850 Spanish : portrait
(new21/Francisco de goya y Lucientes-882386.jpg)


Artiste: Francisco de goya y Lucientes
Francisco de goya y Lucientes Portrait of Ram oil painting picture wholesale


Francisco de goya y Lucientes Portrait of Ram oil painting picture wholesale

ID de tableau::  62837
Francisco de goya y Lucientes
Portrait of Ram
1823 (e) Oil on canvas, 104 x 81,3 cm Rijksmuseum, Amsterdam The sitter in this painting has been identified as a nephew of JoseDuaso y Latre, the clergyman in whose house Goya took shelter in 1823 at the end of the liberal interlude. It has been suggested that the date in the inscription has been altered and that the portrait was painted not later than 1820, the last year in which Satueheld office as Alcalde de Corte (a City Councillor of Madrid). From the costume, the informal pose and the style of painting it could have been painted either in 1820 or 1823. Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of Ramen Satue , painting Date: 1801-1850 Spanish : portrait
(new21/Francisco de goya y Lucientes-462444.jpg)


Artiste: Francisco de goya y Lucientes
Francisco de goya y Lucientes Juan Bautista de Muguiro oil painting picture wholesale


Francisco de goya y Lucientes Juan Bautista de Muguiro oil painting picture wholesale

ID de tableau::  62838
Francisco de goya y Lucientes
Juan Bautista de Muguiro
1827 Oil on canvas, 103 x 85 cm Museo del Prado, Madrid Artist: GOYA Y LUCIENTES, Francisco de Title: Juan Bautista de Muguiro , painting Date: 1801-1850 Spanish : portrait
(new21/Francisco de goya y Lucientes-287276.jpg)


Artiste: HALL, Peter Adolf
HALL, Peter Adolf The Painter's Family oil painting picture wholesale


HALL, Peter Adolf The Painter's Family oil painting picture wholesale

ID de tableau::  62842
HALL, Peter Adolf
The Painter's Family
1776 Ivory, 9 x 11 cm Wallace Collection, London Long recognised as one of Hall's masterpieces, this miniature demonstrates his easy grace and fluent technique. Artist: HALL, Peter Adolf Title: The Painter's Family , painting Date: 1751-1800 Swedish : portrait
(new21/HALL, Peter Adolf-482727.jpg)


Artiste: GREGORIUS, Albert
GREGORIUS, Albert Portrait of Count oil painting picture wholesale


GREGORIUS, Albert Portrait of Count oil painting picture wholesale

ID de tableau::  62843
GREGORIUS, Albert
Portrait of Count
Chasset 1813 Oil on canvas, 230 x 180 cm Groeninge Museum, Bruges Gregorius was a Flemish painter active in Bruges. He was a pupil of Jean-Jacques David. The subject of this full-length official portrait is wearing the official robes of a senator of the French First Empire. Artist: GREGORIUS, Albert Title: Portrait of Count Charles A. Chasset , painting Date: 1801-1850 Belgian : portrait
(new21/GREGORIUS, Albert-676447.jpg)


Artiste: Johann Heinrich Fuseli
Johann Heinrich Fuseli Portrait of a Young Woman oil painting picture wholesale


Johann Heinrich Fuseli Portrait of a Young Woman oil painting picture wholesale

ID de tableau::  62845
Johann Heinrich Fuseli
Portrait of a Young Woman
101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait
(new21/Johann Heinrich Fuseli-686392.jpg)


Artiste: Baron Antoine-Jean Gros
Baron Antoine-Jean Gros Portrait of Madame oil painting picture wholesale


Baron Antoine-Jean Gros Portrait of Madame oil painting picture wholesale

ID de tableau::  62846
Baron Antoine-Jean Gros
Portrait of Madame
Oil on canvas Galeria, Zagreb Artist: GROS, Antoine-Jean Title: Portrait of Madame Recamier , painting Date: 1801-1850 French : portrait
(new21/Baron Antoine-Jean Gros-649433.jpg)


Artiste: Francisco de goya y Lucientes
Francisco de goya y Lucientes Self-Portrait oil painting picture wholesale


Francisco de goya y Lucientes Self-Portrait oil painting picture wholesale

ID de tableau::  62848
Francisco de goya y Lucientes
Self-Portrait
1771-75 Oil on canvas, 58 x 44 cm Private collection The painting shows an ambitious young man at the start of his career. He comes from the provinces, from humble circumstances, and is looking for commissions. Artist: GOYA Y LUCIENTES, Francisco de Title: Self-Portrait , painting Date: 1801-1850 Spanish : portrait
(new21/Francisco de goya y Lucientes-673958.jpg)


Artiste: Francisco de goya y Lucientes
Francisco de goya y Lucientes Portrait of the Wife of Juan Agust oil painting picture wholesale


Francisco de goya y Lucientes Portrait of the Wife of Juan Agust oil painting picture wholesale

ID de tableau::  62849
Francisco de goya y Lucientes
Portrait of the Wife of Juan Agust
Portrait of the Wife of Juan Agusten Ceen Bermedez c. 1785 Oil on canvas, 121 x 84,5 cm Museum of Fine Arts, Budapest Juan Agusten Ceen Bermedez was a Spanish art historian, author of the art encyclopedia published in 1800, which is one of the most important source of the history of Spanish art. Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of the Wife of Juan Agusten Ceen Bermedez , painting Date: 1801-1850 Spanish : portrait
(new21/Francisco de goya y Lucientes-562368.jpg)


Artiste: Eugene Delacroix
Eugene Delacroix Apollo Slays Python oil painting picture wholesale


Eugene Delacroix Apollo Slays Python oil painting picture wholesale

ID de tableau::  62858
Eugene Delacroix
Apollo Slays Python
1850-51 Oil on mounted canvas, 800 x 750 cm Musee du Louvre, Paris This painting decorates the ceiling of the Galerie d'Apollon in the Louvre. Delacroix's greatest virtuosity was reserved for a project which came in 1850, between the decoration of the Senate and Palais Bourbon libraries and the monumental Salon de la Paix at the Hotel de Ville, and was the most important commission of Delacroix's life. It was nothing less than the decoration of the Galerie d'Apollon in the Louvre. Following a fire, Le Vau had reconstructed this historical gallery for Louis XIV, while the decoration was entrusted to Charles Le Brun. Then in 1678, Louis left Paris for Versailles, and work ceased. In 1793, in the wake of the French Revolution, the Louvre became a museum, and the Second Republic deemed the completion of the decoration a republican duty. Le Brun had intended a subject dear to the heart of the Sun King: Apollo on his chariot. For Delacroix, to make his mark at the very heart of the Louvre and to do so not by exhibiting paintings but by decorating the central part of a ceiling was a thrilling opportunity. Before he began, he felt the need to study the works of Rubens in Belgium. In his Apollo Slays Python, Delacroix retained Le Brun's ambition to portray the mythological figure of Apollo in the gallery of that name. But Delacroix enhanced Le Brun's allegory with a further allegory close to his own heart: intelligence wrestling with barbarity and light struggling with darkness. By emphasising the contrast between the two parts of his composition, the world of the sun above and that of darkness beneath, Delacroix transformed Le Brun's project and raised it to the plane of an eternal symbol. The subject, which Delacroix took from Ovid's Metamorphoses, is effectively the victory of Good over Evil. But it takes the form of beauty vanquishing the ugly and genius dispelling stupidity. Artist: DELACROIX, Eugene Title: Apollo Slays Python , painting Date: 1801-1850 French : mythological
(new21/Eugene Delacroix-976299.jpg)


Artiste: unknow artist
unknow artist Marguerite oil painting picture wholesale


unknow artist Marguerite oil painting picture wholesale

ID de tableau::  62864
unknow artist
Marguerite
16 x 12 cm Wallace Collection, London Marguerite Gerard was the pupil and sister-in-law of Fragonard whom she sometimes assisted with his later paintings. Artist: DUMONT, Franeois Title: Marguerite Gerard , painting Date: 1751-1800 French : portrait
(new21/unknow artist-833924.jpg)


Artiste: unknow artist
unknow artist Mary Lodge oil painting picture wholesale


unknow artist Mary Lodge oil painting picture wholesale

ID de tableau::  62865
unknow artist
Mary Lodge
Bride of Baron Charles-Louis de Keverberg de Kessel 1818 Oil on canvas, 212 x 145 cm Groeninge Museum, Bruges The painting is the companion-piece of the portrait of Charles-Louis de Keverberg de Kessel, governor of East Flanders. Artist: DUCQ, Joseph-Franeois Title: Mary Lodge, Bride of Baron Charles-Louis de Keverberg de Kessel , painting Date: 1801-1850 Belgian : portrait
(new21/unknow artist-389398.jpg)


Artiste: Jacques-Louis David
Jacques-Louis  David Portrait of Marie oil painting picture wholesale


Jacques-Louis  David Portrait of Marie oil painting picture wholesale

ID de tableau::  62869
Jacques-Louis David
Portrait of Marie
1769 Oil on canvas, 66 x 54 cm Musee National des Beaux-Arts, Algiers As with many other young artists, David used his close relatives as models for his first portraits. As well as his uncle Buron, he also painted his aunt, Marie-Josephe, and her daughter, Marie-Franeoise, who had supported his wish to become a painter. Both paintings show a directness of approach and a sympathetic contact between artist and sitter that anticipate David's later successes in portraiture. Artist: DAVID, Jacques-Louis Title: Portrait of Marie-Franeoise Buron , painting Date: 1801-1850 French : portrait
(new21/Jacques-Louis David-862846.jpg)


Artiste: Jacques-Louis David
Jacques-Louis  David Count Potocki oil painting picture wholesale


Jacques-Louis  David Count Potocki oil painting picture wholesale

ID de tableau::  62871
Jacques-Louis David
Count Potocki
1781 Oil on canvas, 304 x 218 cm Muzeum Narodowe, Warsaw David received a lucrative commission for a grand portrait of a Polish nobleman, Count Stanislas Potocki. Although begun in Rome, the painting was actually completed a little later in Paris. Potocki came from one of the most celebrated Polish families, and had recently become very wealthy thanks to his wife's dowry. He was also a scholar, and translated and commented on the work of Winckelmann. Obviously his portrait had to be impressive and suggestive of his status. Therefore David depicted him on horseback, subduing a skittish horse with consummate ease. David turned to the example of the great Baroque portraitist Anthony van Dyck to create a work that was similar in scale and impact. Artist: DAVID, Jacques-Louis Title: Count Potocki , painting Date: 1801-1850 French : portrait
(new21/Jacques-Louis David-762983.jpg)


Artiste: Jacques-Louis David
Jacques-Louis  David Portrait of Jacques oil painting picture wholesale


Jacques-Louis  David Portrait of Jacques oil painting picture wholesale

ID de tableau::  62872
Jacques-Louis David
Portrait of Jacques
Desmaisons 1782 Oil on canvas, 92 x 72 cm Albright-Knox Art Gallery, Buffalo After the death of his father following a pistol duel in December 1757, aged thirty-five, David was placed successively in the care of two uncles, Franeois Buron (1731-1818) and Jacques-Francois Desmaisons (c. 1720-1789), who were both architects and building contractors. Artist: DAVID, Jacques-Louis Title: Portrait of Jacques-Franeois Desmaisons , painting Date: 1801-1850 French : portrait
(new21/Jacques-Louis David-729376.jpg)


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Tableau:: portrait

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