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    Précédent  13  14  15  16  17  18  19  20  21  22   Prochaine
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German painter (b. 1497, Augsburg, d. 1543, London).
HOLBEIN, Hans the Younger Portrait of Jane Pemberton oil painting artist


HOLBEIN, Hans the Younger Portrait of Jane Pemberton oil painting artist

ID de tableau::  52046
Portrait of Jane Pemberton
new19/HOLBEIN, Hans the Younger-347235.jpg
c. 1540 Vellum mounted on playing card, diameter 5,3 cm

HOLBEIN, Hans the Younger The Solothurn Madonna oil painting artist


HOLBEIN, Hans the Younger The Solothurn Madonna oil painting artist

ID de tableau::  52189
The Solothurn Madonna
new19/HOLBEIN, Hans the Younger-852328.jpg
1522 Limewood, 140,5 x 102 cm

HOLBEIN, Hans the Younger St Barbara oil painting artist


HOLBEIN, Hans the Younger St Barbara oil painting artist

ID de tableau::  52193
St Barbara
new19/HOLBEIN, Hans the Younger-939556.jpg
1516 Wood, 150 x 47 cm

HOLBEIN, Hans the Younger Signboard for a Schoolmaster oil painting artist


HOLBEIN, Hans the Younger Signboard for a Schoolmaster oil painting artist

ID de tableau::  52593
Signboard for a Schoolmaster
new19/HOLBEIN, Hans the Younger-297263.jpg
1516 Pine panel

HOLBEIN, Hans the Younger Diptych with Christ and the Mater Dolorosa oil painting artist


HOLBEIN, Hans the Younger Diptych with Christ and the Mater Dolorosa oil painting artist

ID de tableau::  63706
Diptych with Christ and the Mater Dolorosa
new21/HOLBEIN, Hans the Younger-378842.jpg
1520 Limewood, 29 x 19.5 cm (each panel) Kunstmuseum, ?ffentliche Kunstsammlung, Basle Jesus sits exhausted on the plinth of an aedicula decorated in the style of the Italian Renaissance. In contrast to His strong, muscular body, Jesus' face is ravaged by the strains of the Passion, arousing pity in the beholder, who is also summoned to devotion by Mary's gesture towards her Son and by her pain-stricken gaze. Though Jesus wears a large crown of thorns, indicating that the Via Crucis (the Way of the Cross) has begun, the wounds are absent, so that the Crucifixion still lies in the future; he is not yet the Man of Sorrows. The architecture indicates Pilate's palace. Holbein has removed the figures from the scenic setting of the Biblical story and turned the tortured Christ into the main figure of a devotional picture.Artist:HOLBEIN, Hans the Younger Title: Diptych with Christ and the Mater Dolorosa Painted in 1501-1550 , German - - painting : religious

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