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Italian Early Renaissance Painter, ca.1300-1366
GADDI, Taddeo Madonna and Child Enthroned with Angels and Saints sd oil painting artist


GADDI, Taddeo Madonna and Child Enthroned with Angels and Saints sd oil painting artist

ID de tableau::  6764
la Madone et l-Enfant Ont Intronisé avec sd d-Anges et Saints
Madonna and Child Enthroned with Angels and Saints sd (English)
GADDI, Taddeo11.jpg
1355 Détrempe sur le bois, 154 x 80 Uffizi de degli de Galleria de cm, Florence
1355 Tempera on wood, 154 x 80 cm Galleria degli Uffizi, Florence (English)

GADDI, Taddeo Saint Eligius in the Goldsmith's Shop (nn03) oil painting artist


GADDI, Taddeo Saint Eligius in the Goldsmith's Shop (nn03) oil painting artist

ID de tableau::  23294
Eligius de Saint dans l~Atelier de l~Orfèvre (nn03)
Saint Eligius in the Goldsmith's Shop (nn03) (English)
new8/GADDI, Taddeo-694273.jpg
le c 1365 Détrempe sur le panneau 35 x 39 cm 13 3/4 x 15 3/8 dans Museo le del PradoMadrid
c 1365 Tempera on panel 35 x 39 cm 13 3/4 x 15 3/8 in Museo del Prado Madrid (English)

GADDI, Taddeo The Adoration of the Shepherds oil painting artist


GADDI, Taddeo The Adoration of the Shepherds oil painting artist

ID de tableau::  29698
L~Adoration du Soigne
The Adoration of the Shepherds (English)
new3/GADDI, Taddeo-978398.jpg
mk67 Détrempe sur le panneau 18 7/8x16 15/16in
mk67 Tempera on panel 18 7/8x16 15/16in (English)

GADDI, Taddeo Life of the Virgin oil painting artist


GADDI, Taddeo Life of the Virgin oil painting artist

ID de tableau::  40137
la Vie du Vierge, mk156 1300-66 c. 1330 Chapelle de Baroncelli de Fresque
Life of the Virgin (English)
new12/GADDI, Taddeo-572797.jpg
mk156 1300-66 c.1330 Fresco Baroncelli Chapel

GADDI, Taddeo Life of the Virgin oil painting artist


GADDI, Taddeo Life of the Virgin oil painting artist

ID de tableau::  64730
Life of the Virgin
new22/GADDI, Taddeo-892599.jpg
1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence Taddeo Gaddi, one of Giotto's pupils painted the Baroncelli Chapel in the church of Santa Croce in Florence around 1328, brilliantly employing the technical achievements of his teacher. His scenes for the Life of the Virgin were painted with two goals in mind. First, to compose the painting so that it corresponded to the form of the chapel bay, which was arched. Second, by means of the architecture of the painting itself, to create a sufficiently deep stage for the sequence of events to be played out. Gaddi came up with an ingenious solution for the upper section directly under the arch. He placed the architecture of the temple directly beside a cliff which looms up on the right so that in the the upper section a quatrefoil shape is created, an open space out of which he let an angel descend. This served to link the scenes Joachim Driven from the Temple and the Annunciation to Joachim. The sections below, with their alternating interiors and exteriors, appear as sets in front of which, and in which, the events take place. From the Meeting at the Golden Gate (top left) we move on to the Birth of St John the Baptist, the Virgin on her Way to the Temple, and finally the Betrothal to Joseph. As in San Francesco in Assisi, the architecture of the painting is closely linked to the architecture of the church, the continuous narrative to the way a viewer reads. Artist:GADDI, Taddeo Title: Life of the Virgin, 1301-1350, Italian , painting , religious

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