View of the Ducal Palace f
Maxfield Parrish
Westminstereast
Paul III Appointing His Son Pier Luigi t
La Femme repudiee -32-
Memorial Monument to Goethe -10-
Yardimli
A Man in a Turban 3
Judith -detail- hh
Calumny -36-
Penneyfarms
View of Monte Video, Seat of Daniel
Urosevac
Young Woman with a Water Jug wer
Sheridan
Hermansve
coping crown moulding
Portrait of Cosimo il Vecchio
Lokeren
Portrait of an Old Womannm er
Storm Rising at Sea
The Madonna of the Milk Soup
medical stretcher
Kualapuu
Joseph makes himself known to his brothe
HAMEN, Juan van der
Salutat
Cattle by a River -37-
Toledo,Cathedral,Chapter room ,
Pedrobay
Fishermen at sea -31-
Beatrice Hastings -38-
A Hilly Scene
Byron
Saint Martin-s in the Field
The Moneychanger and His Wife
Jeronimus Tonneman and his Son
Maunaloa
Sumartin
Madonna of the Harpies -detail- fgfg
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David Young Cameron:
British master of landscape and architectural views.
Glasgow ,1865-1945
is a Scottish painter and etcher. He was trained at the Glasgow and Edinburgh Schools of Art in the 1880s. From 1887-1892 he was a member of the Royal Society of Painter-Etchers. It was during this time that he published a number of sets of etchings (such as "The Clyde Set", "The North Holland Set" and "The North Italian Set"). In general his prints feature areas of great darkness, offset by highlights. Cameron would later become known for his church interiors and barren landscapes of Scotland done in drypoint. The feathery lightness of these drypoints was in visual contrast with the rock and water of the subjects. He became highly sought after by collectors, until the Great Crash in 1929 brought a collapse in prices for prints in general. He exploited his popularity by producing an unprecedented number of states of his prints, and is believed to hold the record at twenty-eight states in one case. Cameron became a Royal Academician in 1920.
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