stretcher testicle
View of the Ponte delle Navi,Verona -nn0
Twentyninepalms
Kinderhook
Rooftops at Sunset,Rome,Italy
Encampment of Gypsies with Caravan
The Dream of St Ursula dfg
Morning Amongst Coniston Fells, Cumberla
Blind Man-s Buff sg
Gathering Flowers in a Devonshire Garden
Prince Baltasar Carlos with a Dwarf -df0
Madonna -19-
Aesop -df01-
Woman on the Beach at Rugen -10-
The Abduction of Ganymede
William Sergeant Kendall
La Joueuse d-Amzad -32-
Domine,quo vadis
Rosy Reverie
Lapwai
The People of Myra Welcoming St. Nichola
Orrville
Young Woman with her Bundle
Eastern Point Light -44-
Siberian Sheepdogs -34-
Wedding of Saint Catherine,details
caster stretcher
supports
The Adoration of the Magi
Whitestown
Portrait of Baldassare Vallombrosano
Mateo cerezo
The Giant-s Chalice
Flowers
George Earle
Dagmar -nn03-
Still-Life with Flowers and Fruit -detai
Still Life with Chessboard
Mr & Mrs Edouard Manet
A Wood Auction -nn04-
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Ignacio Zuloaga y Zabaleta:
July 26, 1870 - October 31, 1945
Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..
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