Peaceable Kingdom
monet print
Interior with an Etruscan Vase -35-
Bathers
Avant-garde
Femmes an Fardin
George Brandriff
Zebulon
Mezzetin
Miss Martha Carry dh
Bigcoppittkey
Hill at L-Hermitage,Pontoise Coteau de L
Lakesarasota
Meeting of the Betrothed Couple -detail-
Imperial Crown Fritillaria in a Copper V
Bondmaid
Dr.Johannes Cupinian -45-
art martial supply
Ranuccio Farnese -45-
A Cornfield Bordered by Trees
The Paradise -detail- rt
The Annunciation to Joachim and Anna dfg
George Moore
american life painting still
Wichwood Forest,Oxfordshire -47-
Grainstack in Overcast Weather,Snwo Effe
The Fall of Phaeton w
Madonna in Maesta
A Religious Procession in kursk province
Hieronymus Janssens
George de Forest Brush
abstract art painting
Portrait of Luther Burbank
Portrait of the Artist -05-
Virgin and Chind
Ranchomirage
La Lecture de l-Illustre
WILLEBEECK, Petrus
Portrait of a Woman called La Schiavona
BABUREN, Dirck van
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kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.
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