Recreation by our Gallery Disputation with Simon Magus The Grove -nn04- Eaglevillage The Proposition Jose Aparicio Inglada Hubert Robert Painter -05- Tajar and Hammon -25- Indian Scouts at Evening -43- CASTELLO, Valerio Prince, Jean-Baptiste le View in Pittsford, Vt. live satellite image earth Orchard in Bloom,Louveciennes -nn02- Louis-Leopold Boilly The Adoration of the Shepherds The Sonnet PYNACKER, Adam Breakfast-piece fg Regents of the St Elizabeth Hospital of Portrait of the Artist-s Son,jorge Manue Recreation by our Gallery Washington Arch in Spring The Virgin of Chancellor Rolin -detail- Portrait of Hendrik Pilgram gag Grayling Portrait of Lady Anne Ruhout df Rockport Jeune Femme -Victoria- -38- Newportbeach Ceiling fresco Vase wtih Asters and Phlox -nn04- Card-sharpers t Slupcane bombay new oil painting york rNightfall down the Thames -nn03- Tarquin and Lucretia aet framed sports picture Portrait of Bianca Maria Sforza Beware of Hxury
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Dufy Raoul:
Le Havre 1877-Forcalquier 1953
was a French Fauvist painter. He developed a colourful, decorative style that became fashionable for designs for ceramics, textiles and decorative schemes for public buildings. He is noted for scenes of open-air social events. Raoul Dufy was born at Le Havre, in Normandy, one of a family of nine members. He left school at the age of 14 to work in a coffee importing company. In 1895 when he was 18, he started evening classes in art at Le Havre Ecole des Beaux-Arts. He and Othon Friesz, a school friend, studied the works of Eug??ne Boudin in the museum in Le Havre. Raoul Dufy, Regatta at Cowes, (1934), Washington D.C. National Gallery of Art.In 1900, after a year of military service, Raoul won a scholarship enabling him to attend the Ecole Nationale des Beaux-Arts in Paris, where he was a fellow student with Georges Braque. The impressionist landscapists, such as Claude Monet and Camille Pissarro, influenced him. Introduced to Berthe Weill in 1902, she showed his work in her gallery. Henri Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interest towards Fauvism. Les Fauves (wild beasts) emphasised bright colour and rich bold contours in their work, and Dufy's painting reflects this approach until about 1909, when contact with the work of Paul Cezanne led him to adopt a somewhat subtler technique.
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