Ruins of the Castle at Rosemont Landscape with a Stone Bridge Whelensprings Titania and Bottom -08- Self-Portrait Very Angry Portrait of Marie Marcoz,later Vicomtess Skating on the Ditches of the Walls View of Saragossa sgj van gogh portrait Yithion FOSCHI, Pier Francesco Waterfall by a Church af Danville master of the Holy Kindred Neskaupstadhur Haying, Conway Meadows The Lake,The Sleeping Water -19- Dante and Virgil -Corssing the Lake That Fields in the Month of June Lucretia Stabbing Herself Still life Potatoes in a Yellow Dish -nn Pieta3 In the Dining Room Karl Friedrich Abel Dresden, the Frauenkirche and the Rampis Crucifix -detail- fgdrjm The Croquet Match -44- The Beheading of the Baptist The Fortune Teller Oswego Cegrane Alhambr Arcade St Augustine in his Study Preparation for War to Defend Commerce q Maid of Honor to the Infanta Isabella, View of Vienna from the Belvedere hjhk Cardinal Nicholas of Rouen sg Newberry The Raising of the Cross -05-
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Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.
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