Decorative Figure on an Ornamental Backg Morning on the Seine,Clear Weather Take Your Choice The Still life having greenery Castine Harbor Frederikshavn Ullswater,early morning Russian Prisoner of War -Grigori Kladjis Chuathbaluk An Old Woman at he Fireplace Lakesarasota An Armed Assault on a Convent Berthe Morisot Bellflower Pineview baby van gogh OOST, Jacob van, the Younger Old Woman Poaching Eggs et Santavenetia Death and Maiden -12- Morning Mist Rising View of Warsaw from the Royal Palace -de The Breakfast -08- Mountain Scene fg Medea Officer with a Laughing Girl -detail- ar Still life with mackerels,Lemons and Tom Landscape with Cephalus and Procris reun Kalaoa Nancy Fay The Little Concert sg Coeur d'Alene Heart of the Andes Tahitian Landscape Woman in a field Single Combat of Prince Mstislav Udaloi Millington Marengo Portrait of Leo Tolstoy Carl
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Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.
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