Interior of the Church of San Clemente - CIGNANI, Carlo FOUQUET, Jean Babkesir Rudisikes Burntprairie Niagara Allies Day,May 1917 Girl with a Racquer and Shuttlecock Between Kajaanl Details of Venus of Urbino Pantocrator Supported by Angels St,Sebastian Interior of an English Cottage -25- Newalbany Portrait of Darya Khvostova Double Portrait of a Brother and Sister The Kreuzkirche in Dresden Study for Day -19- Giulio Rosati Wisconsin After the Audience -23- Figure Large Still-life with Lobster COPLEY, John Singleton A Violinist Seated Girl Facing Front -12- Arter the concert-nadezhda zabela-Vrubel The Red Background of the Figure Imisli Saint Jerome View of Naples uit The Expulsion of Hagar and Ishmael -33- The Lock -nn03- Montmartre Near the Upper Mill Portrait equestre du comte-duc d-Olivare Lena Ozark Marine
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Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.
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