Siphon bottle and skep Line of bathers The Dance Gippsland,Sunday night The Offering The Triumph of Death -detail- g Tamara-s Dance BRAMANTINO Flying Demon -19- Indianvillage The Wreck of the Iron Crown Drinker wood poster frame Altopass Anne Gardiner with her Eldest Son, Kirkm Three miracles of St Zanobius,reviving t St Jerome sgyu Oakcreek An Antique Dealer s Gallery London- The Thames and the City of Londo injection moulding in clean room Tworivers Last Supper -detail- Carnicero, Antonio The Model art fine ink pushing tattooing Triumph of Galatea Beebe Slaskie painting in fresco Portrait of a Gentleman,half-length,wear St Casilda of Burgos Bouldercreek The Sleep of Endymion -05- Valentine Cameron Prinsep Still-Life with Fruit, Flowers, Glasses Young Woman in Pink -35- Marcia Painting her Self-Portrait Crowning with Thorns The Music -Sketch- -35-
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Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.
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