Salacgriva Hayes Agnew Operation Clinical The Thresher-s supper St,Sebastian Minnesota Fumee d-ambre gris -32- Bourgeois Poetry Self-Portrait Gabrielle with a Rose Portrait of Eleonora of Toledo with Her Wall painting of houses at noon from Pom landscape manufactured Hutsonville Micanopy Portrait of nadezhda zabela-vrubel Portrait of a Young Woman fy Rustic Riginals van gogh bedroom Brownstown Gerona Virgin with Cherries -05- Portrait of Emaile Zola Judith with the Head of Holofernes dfg Helen Frankenthaler Prints Portrait of Mary Radclyffe Charles Harold Davis The Silver Tureen Martyrdom of St Lucy -predella 5- dg new hampshire scenery Venus and Mars -36- Catskill Landscape The Card-Playes The Domes of the Yosemites The Boston Harbor from Constitution Whar St Jerome Reading in the Countryside RUISDAEL, Jacob Isaackszon van Salzburg,Austria,View of the Castle Farewell to Calypso CONGNET, Gillis Vision
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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