Eugenia Martinez Valleji, called La Mons The Librarian The Feast of St. Nicholas Two Women Madonna and Child with the Young St john The Wharf, Looking toward the Doge s Pal Portrait of a seated Woman with a Handke abstract colors Edge of Town -Kruman Town Crescent III- Frohliches Paar.Sogenanntes Selbstbildni Welcome Footsteps -23- The Post of Woman Details of Totenfeier fur die Hl.Fina Cinq Baigneurs Portrait of Pere Tanguy -nn04- Coffeesprings Vertumnus and Pomona dfg Portrait of Catherine de Montholon art Fortjones Still-Life with Owl gfh Bandits- Stopping Place The Bark during the Flood,Port Marly -09 The Storm View of Saint-Cloud from the Heights of Detaills of Ann Putsch,First wife of Dr. poster Venus at Her Mirror Girl with a Pink Bow Zeus and Antiope Munster metal frame The Dropsical Woman -05- Countyline Field of Yellow Iris at Giverny Paxton An Anxious Hour Portrait of a Humanist tyu Portrait du comte-duc d-Olivares -df02- Paye, Richard Morton Bachiacca
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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