St John Altarpiece -central panel- g The Banks of the River Bukovo The Vale of Ashburnham Consummatum est Jerusalem Portrait of Edward, Prince of Wales sg Portrait of a Woman dfg Woodcrest The man with splotched Madame Recamier ANTHONISZ, Aert Asta Norregaard Spring Water Portratit of William Molard -07- Venus at her Mirror -The Rokeby Venus- g Nursing Madonna country scenery The Nativity Portrait of Maria Louisa de Tassis Female bather Bridal Veil Falls, Yosemite The Entombment The Madwoman -Manomania of Envy- -09- Fortville St Helens RIJCKHALS, Frans Christ Crowned with Thorns Standing Nude -Nude Study- -35- Guerilla Warfare Pine Trees against a Red Sky with Settin The Abduction of Ganymede The artist and Doc. St.Catherine of Alexandria CONINXLOO, Gillis van Fira Czech Republic Mountetna Sunset on the seine,Winter Effect -nn02- Arnliern A Fantastic Cave Landscape with Odysseus
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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