Here are other James Ensor's oil paintings.
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This artist is not available now.
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Earthenware Pot and Apples Tuskegee Cloud study Still life-Glass with Wild Flowers -nn04 Mrs. St George Mountetna Ginepro d-Este -nn03- Still Life with Flowers & Fruit La melancolie -11- Vigo Portrait of a lady,half-length,wearing a Brook Presence of the Bad Dermon Portrait of a Woman dfgdf Drexelheights Dandini, Cesare The Old Moscow a street in Kitai-Gorod i Greenville Mountainous Landscape St John the Evangelist with the Poisoned Bowl of Peaches Giovanni Francesco Guercino Assumption of the Virgin,details with an View of Saintes-Maries -nn04- abstraction empathy Concow The Cascatelli,Tivoli,Kooking Towards Ro Cave Canem Ratto delle Sabine Sir Edward john poynter,bt.,P.R.A Gordale Scar AUGUSTIN, Jacques-Jean-Baptiste Last Supper Ernst Josephson Macon Kusadesi Nature morte,pommes,bouteille et dossier DARET, Jacques abstract red Colorado
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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