Karleksnymf-Love nymph-
The Beach at Scheveningen wr
The Bath To London Royalmail Coach in th
The Body of Abel Found by Adam and Eve
The Church at Varengville,Morning Effect
Turkish Cafe II
Piotrkow Trybunalski
Rest on the Flight to Egypt sw
Empire
Self-Portrait as a Huntsman
Esaias Boursse
Simon Bening
La Villa Medicis a Rome -le Pavillon d-A
Pearl
The Virgin and Child Surrounded by Saint
HERREYNS, Willem
Alfred Guillou
Allegory of Painting
Sacreligious Robbery
The Last Judgment Triptych
Bataille Navale
Allegory of the Cross sg
Crucifixion with Donors and Saints fdg
Village Bullfight
Sarasota
La Peche -40-
Le Pont japonais et L-Etang des Nympheas
Woman with a Mirror
Noatak
life still wedding
HERRERA, Francisco de, the Elder
Still Life with Apples
The Animals entering the Ark
Charles-Jerome, Comte Pozzo di Borgo
Christ giving thw Keys to St Peter -08-
Vratnica
Field with Poppies -nn04-
The Fair at Bezons -detail- ag
The Sun shine on the Corner
View of Brussels from the North-East ar
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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