How They Met Themselves
The Departure of Hagar and Ishmael
Lycksele
Museum - Wikipedia
One Portrait of One Woman
1890 Musee d-Orsay, Paris
Langston
Grainstack,Thaw,Sunset
Still Life with Musical Insteruments -08
Pottawattomiepark
Jan josephsz van goyen
Portrait of Madeline Bernard
Young Woman of the People -39-
Bihor
The dock at Argenteuil
Tuskegee
The Raising of Drusiana,Cappella Peruzzi
Catullus Reading his Poems at Lesbia-s H
The Mockery of the Owl sg
Ecole de broderie au Maroc -32-
Lart et la litterature Art and Literatur
The Circus
Madame Henriette Henriot
St James-s Park and the Mall -25-
A Flemsh Fair -detail- ffg
Largest White Billed Woodpecker
Portrait of Agnolo Doni
Sphinx Machine
Rooftops at Sunset,Rome,Italy
Portrait of a Member of the Wedigh Famil
The Holy Family -Sacra Famiglia-
Stephane Mallarme
Franz Prorr
Portrait of Max Jacob
Madonna with Child, St Anthony of Padua
Details of The Execution of Maximilian
The Madonna with Canon van der Paele -de
Eger
1853 1890 gogh reality van vincent visio
Varnell
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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