Portprotection
Mcintyre
Still-life with Great Golden Goblet fg
The Curlews
Details of The Annuncication
Portrait of Margareta van Eyck sdf
Judgement of Paris
Self Portrait with a Burning Cigarette
Allegory of Good and Bad Government
Bar Room
oil pictures
art van
Miss Dick and her cousin Miss Forster
Willows at Sunset -nn04-
View of the Bridge at Sevres and Saint-C
Terrace of the Cafe on Montmartre
Protrait of Vera Alekseevna Repina -09
Johannes Vermeer
Three body-s design
Polychrome-s diver
James Stewart, Duke of Richmond and Lenn
The Vagrants
Salzburg,Austria,View of the Castle
Landscape with Windmills fdg
Archangel,a symbol of the divine Active
Isles of Shoals
Kentacres
The Balcony
In the Ploughed Field
Gerard Dou
Calumny
The Temple of Fanus -01-
Pieta
The Port of Le Havre-Dock of La Barre-
Max Klinger
Reims
Flippin
The Prophet Jeremiab Mourning over the D
Anna Dalkeith,Countess of Morton,and Lad
An Oriental Dance
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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