BASAITI, Marco graphic design The Washing of the Feet Paton, Sir Joseph Noel The Guardian Angel with Sts Anthony of P MANDER, Karel van Rotterdam Madonna and Child in a Landscape Maree montante -40- Les marsouins,marins -40- Samson and Delilah Ballet Rehearsal on Stage Bevington Hybridist and Pard Ascension Portrait of a Gentleman Preparations in the Coliseum -23- Storm in the Rocky Mountains, Mt Rosalie Charlescity The Baptism of Christ Ambassadeurs Stories of the Life of Christ sh Madonna and Child with Saints Sight Landscape by Moonlight -43- Portrait of the Artist-s Son,Paul Anna Chamberlain Freeland Woman Lifting her Skirt Sanger Baur,Johann Wilhelm Eleonora of Toledo and her Son Giovanni Une Veuve (A Widow) Recreation in a Russian Camp steel framed building The Palazzo Dario Jacob Reproaching Laban dfhg Landscape with Ruins and Archway Pavonia Agony in the Garden A Young Man
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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