Dance Class
Details of Primavera-Spring
Christ Appearing to His Mother, approx
Death of Procris
John Melhuish Strudwick
Ferdinand Lured by Ariel
Whistlejacket r
Venus Standing in a Landscape fdg
The Kiss -20-
Willy Lott-s cottage
Christ Served by Angels
Head of a Peasant Woman with Dark Cap -n
William Henry Margetson
Semiramis Receiving Word of the Revolt o
Odalisque with Grey Culottes -35-
william henry hunt,o.w.s
Calais Pier,with French poissards prepar
Naples,a view of the bay from the marine
Ceiling fresco dfg
vincent van gogh self portrait
Prince Felipe Prospero
Recreation by our Gallery
Kretinga
Budapest
Christina of Denmark fg
framed oil painting
Alfred Jacob Miller
Under Guard,Along the Muddy Road
Last Supper
Procession of the Magi
The Union of Earth and Water
Kendallville
The Annunciation y
Rainstorm
bendable moulding
Ashkum
Joachim Takes Refuge in the Wilderness -
A Philosopher Lecturing with a Mechanica
Coastal Landscape with Ships
Lewistown
|
|
James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
|
