Augusta Amity Glennsferry Melodyhill Jose Aparicio Inglada Water-Lilies Balaam-s Ass Woman Reading Madonna and Child with the Young St.John The Tattooing Lesson Gustaf Fjaestad Cypress Antonio del Pollaiolo,Hercules and the H Your Britain,Fight of it Now Isaac Abrahamsz Massa sf bench mirror vanity L ESTIN, Jacques de The Rehearsal Still life-vase with Twelve Sunflowers - Lynnville Last miracle-child revived by the Deacon Seville Reclining Nude Asbury Miracle of the Desecrated Host -Scene 4- Judith with the Head of Holofernes dfg Pieta BARBARI, Jacopo de Mccarthy Bowers The Hon.Eleanor Vere Boyle Landscape Composition Saint John in the St George -s Battle with the Dragon Landscape with Windmill sg Washington traversant la Delaware Apricot Trees in Blossom -nn04- The night of Ukraine Extensive River View with a Horseman dgh Napoleon-s Horse,Marengo at Waterloo Jean - Baptiste Carpeaux
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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