Mars,venus and cupid The Stages of Life Middelburg Country Pursuits A Summer Night -san39- Napoleon Bonaparte in the Uniform of the Charles I of England and Henrietta of Fr Nikolaevsk Twilight, Short arbiter twixt day and ni The Pergola Man -45- Street Urchins Portrait of William Merritt Chase The Bear Dance Jessie-s Dream-The Campbells are Coming Lincolnton Il Canal Grande Balbi -21- Mary Logan Henderson design garden landscape vincent van gogh sunflower Hush ! View of Pillnitz Castle from a Window -2 Christ Washing the Feet of His Disciples Housetop-s smoke Moletai Shumway Sunset on a Winter Landscape Wardner The Milkmaid yi Martuni Silver Birch Rue de I-Epicerie,Rouen Foucquieres,Jacques Tri-lakes wood bed frame black Girl Bloing Soap Bubbles -08- Barthel Bruyn American Destroyer Patrol along the Atla Therse Berard St Pius, St Thomas of Aquino and St Pete
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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