St Ursula and Her Companions with Pope C Ignacio Pinazo Grand Canal- The Rialto Bridge from the Kennesaw Philibert Riviere -05- Fulfilment,pattern for the Stoclet Friez Stopping at an Inn Venus and Vulcan Resting Snow on the Road,Louveciennes Twilight,Ullswater mid 1820s Alphonse Daudet and his Daughter Valga Still Life with Partridge,Iron Gloves an family portrait God as an Architect The Count of Floridablanca Moweaqua St Barbara dg The Triumph of Galatea -detail- San Cristoforo, San Michele & Murano Where do we come form -07- Stevenson An Architectural Caprice Portrait de Georges Clairin Pervenches -40- Clifford Warren Ashley Fishmongers dsf Lake Derwent with Evening Storm -10- Herdsmen with Cows dfg Still Life with Cherries & Strawberries Nude in the Studio -35- Primroses and Grapes and an Apple on a m Laundresses -nn02- In the Orchard Arthur streeton The Artist-s Family Steep road at Osny Flying Demon -19- La Montagne Sainte-Victoire
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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