blow moulding machine
The Birds -34-
Banquet Still-Life with a Mouse fdg
Crossing the brook -31-
Charles I Queen Henrietta Maria and Char
Danae
The Miracle of the Roses dfg
Nude with Coral Necklace -39-
Minot
Les trois pots de fleurs
THE MADONNA OF THE CHAIR or Madonna dell
Arlon
The Wedding of Stephen Beckingham and Ma
Cornville
Le Comte Robert de Montesquiou -20-
Portrait du fils du peintre Micheli -38-
The Virgin and the Child with Angels
Danae
Village Street and Step in Auvers with T
John Nost Sartorius
Mademoiselle de Lambesc as Minerva, Armi
Easthampton
Depue
Glackens, William James
Supreme
Portrait of a Young Girl
city scenes
The Lieutenency, Hornfleur
Piazza di San Marco -detail- dh
The Story of Nastagio degli Onesti
Franz and Mary Stuck as a God and Goddes
Peasants Smoking and Drinking f
La Table de cuisine
Louis-Jean-Francois Lagrenee
Gordale Scar
Madonna of the Rose Bower -08-
Joseph Reveals himself to his Brothers -
Les trs riches heures du Duc de Berry- A
Deposition Diptych
Mr Clark-s station,Deep Creek,near Keilo
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Marsden Hartley:
1877-1943
Marsden Hartley (January 4, 1877 - September 2, 1943) was an American Modernist painter and poet in the early 20th century. Hartley was born in Lewiston, Maine, USA. He began his art training at the Cleveland Institute of Art after moving to Cleveland, Ohio in 1892.
At the age of 22, he moved to New York City, where he attended the National Academy of Design and studied painting at the Art Students League of New York under William Merritt Chase. A great admirer of Albert Pinkham Ryder, Hartley would visit Ryder's studio in Greenwich Village as often as possible. While in New York, he came to the attention of Alfred Stieglitz and became associated with Stieglitz' 291 Gallery Group. Hartley had his first major exhibition at the 291 Gallery in 1909 and another in 1912. He was in the cultural vanguard, in the same milieu as Gertrude Stein, Hart Crane, Charles Demuth, Georgia O'Keeffe, Fernand Leger, Ezra Pound, among many others.
Hartley, who was gay, painted Portrait of a German Officer (1914), which was an ode to Karl von Freyburg, a Prussian lieutenant of whom he became enamored before von Freyburg's death in World War I.
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