Regents of the St Elizabeth Hospital of
Et in Arcadia Ego af
Madonna with Child and Two Angels -Crevo
Landscape with Ruins and Archway
Farmercity
The Countess Spencer with her Daughter G
Fnlon, Archbishop of Cambrai ert
Scene from The Last of the Mohicans Cora
Port of Ostia with the Embarkation of St
Pisan Girl with Basket of Oranges and Le
Lemaire, Jean
Orangecove
Woman with Porcelain Vase
Sevan
Boys in a Pasture
Merse, Pal Szinyei
Charles Parsons
Fruit dish
Kazlu-Ruda
Peaches
1945 2004 in mirror woman
Romulas, Conqueror of Acron
Femmes d-Alger dans leur appartement -32
Riverview
Sombor
Hattiesburg
Lilly martin spencer
Ramona
Vinica
Nathaniel Currier
Iphigenia 2
Vincenzo Carducci
Eucalyptus Landscape
Southwhitley
The Scene Painter, Troels Lund
James Seymour
Gian Lodovico Madruzzo ag
Pearson
Ellen Terry as Lady Macbeth
Portrait of John Chambers dg
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William Wendt:
1865-1946
Wendt believed there are philosophical, metaphysical, and theological foundations as to why humankind creates Art. Art becomes a sign in itself that points ultimately towards higher realities than the art object or process manifests in and through itself, courtesy of the artist's knowledge and free-will. Art is an adoration symbol that links the reality of the artist's vision and dream-state to the principles that are nature. Wendt decades in front of nature.
William Wendt found a California at the close of the 19th century which is now lost forever due to the effects of industrialism, consumerism and population density.
Wendt believed nature was a manifestation of God, and he viewed himself as nature's faithful interpreter.
Thom Gianetto of Edenhurst Gallery, Los Angeles, is a specialist in William Wendt.
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