Fortune Teller sf Prisoners From the Front Morning,winter sunshine,frost the Pont-N An Antique Dealer s Gallery King Louis Philippe Ice Scene fff Details of Abendmahl Norcross Fruithurst BICCI, Nero di The Golden Valley Portrait of Christoph Willibald Gluck -0 Endymion Asleep The Year - s at the Spring -24- Interior of a Church abstract art work Nicholas Kratzer -05- Burial of Saints Cosmas and Damian Grant Apollo and Daphne Israel in Egypt Holy Conversation Flower Piece gfh Orphan Girl at the Cemetery -09- Naugatuck St. Sebastian aet View of Arles with Trees in Blossom -nn0 Winter on the River dg The Pattern at Glendalough, Co. Wicklow Westminster Abbey with a Procession of t Giovanni Cariani Jar of Peaches Recreation by our Gallery Georges Michel Ak-chinvillage The Cannon Shot Portrait of a Family in a Garden Ophelia The Coronation of the Virgin, detail- th Arearea-Joyousness-
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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