MANDER, Karel van
Kinsman
Port of La Rochelle
The Good Samaritan
London- the Old Horse Guards from St Jam
Villa Medici in Rome -Facade of the Grot
The Flying Dutchman -19-
A Gypsy
1729-30 Metropolitan Museum of Art, New
Female Bather
Supper at Emmans -33-
Philip IV
Allegory of the Cross sg
The Beach at Sainte Adresse
The madonna and child with the infant sa
The Murderer on the Lane
Red Hills near Kingston,Jamaica
Portrait of Baudouin of Burgundy a
Self-Portrait
Oxnard
digital frame
Philippe de Momper
In the Meadow
View of Owharre Fare Harbour,Island of H
The Medici Gardens in Rome
workshops
The Taking of the Veil
age dutch golden in life still trade
Auguste Alexandre Hirsch
cityscapes drawing fantasy landscape pai
Atka
Drinking Boy -Taste-
Landscape with a Woman Leading a Cow
Card
animal baby
Stojakovo
DUCK, Jacob
Grand Junction
The Birth of Rachel dgs
The Song Peddler
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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