modern oil painting masterpiece oil painting reproduction Study of a Female Face GOZZOLI, Benozzo Eleanor Fortescue-Brickdale,RWS Banquet of Members of Amsterda s Crossbo St.Ursula Shrine Shepherd Piping to a Shepherdess equipments injection moulding office pla The Count of Arundel and his son Thomans The Trinquetaille Bridge Bar Room Still-Life with Flowers and Fruit sg wash Green Ears of Wheat -nn04- Ghent Altar -08- Hnrietta Maria of France,Queen of Englan The Fall of the Rebel Angels -08- Bathers-Dieppe -nn02- KONINCK, Salomon The Return of the Prodigal Son Abundantia- The Gifts of the Sea Writing on the Sand -28- Riders on the Beach at Scheveningen -nn0 Aeneas Fleeing from Troy Head of a Peasant Woman with White Cap - NUVOLONE, Carlo Francesco Still Life Viva La Vida y el D.Juan Fari The Fire Mary Cassatt at the Louvre Quarrelling Musicians sg Between Chamonix and Martigny Fanningsprings Pope Leo X with Cardinals Giulio de-Medi Paxton Barna da Siena Apple Blossoms -nn02- Phillipstown The Birth and Infancy of St Stephen Portrait of William Molard
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Chaim Soutine:
Chaim Soutine Art Locations
Lithuanian 1893-1943
Soutine was born in Smilavichy near Minsk, Belarus (then part of the Russian Empire). He was the tenth of eleven children.
From 1910?C1913 he studied in Vilnius at the Vilna Academy of Fine Arts. In 1913, with his friends Pinchus Kremegne and Michel Kikoine, he emigrated to Paris, where he studied at the Ecole des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique.
For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse, where he became friends with Amedeo Modigliani. Modigliani painted Soutine's portrait several times, most famously in 1917, on a door of an apartment belonging to Leopold Zborowski, who was their art dealer. Zoborowski supported Soutine through the World War I, taking the struggling artist with him to Nice to escape the German bombing of Paris.
In 1923, the American collector Albert C. Barnes visited his studio and immediately bought sixty of Soutine's paintings.
Soutine once horrified his neighbours by keeping an animal carcass in his studio so that he could paint it (Carcass of Beef). The stench drove them to send for the police, whom Soutine promptly lectured on the relative importance of art over hygiene. In February 2006 this painting sold for £7.8 million to an anonymous buyer in London.
Soutine produced the majority of his works from 1920 to 1929. He seldom showed his works, but he did take part in the exhibition of Independent Art held in 1937 in Paris, where he was at last hailed as a great painter. Soon thereafter France was invaded by German troops. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Suffering from a stomach ulcer and bleeding badly, he left a safe hiding place for Paris in order to undergo emergency surgery, which failed to save his life. On August 9, 1943, Chaim Soutine died of a perforated ulcer. Soutine was interred in Cimeti??re du Montparnasse, Paris.
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